Golden Bell Awards 2017: Nominations List

Best Dramas:
Abula’s Three Women (阿不拉的三個女人) (FTV)
Game (明天一起去樂園) (Hakka TV)
Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼) (TTV)
Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴) (TTV)
Family Time (酸甜之味) (PTS)
Best Mini-series/ Tele-movies:
Far and Away (外鄉女): Black Beauty (黑美人) (FTV)
The Devil Game (劣人傳之詭計) (Youku)
The Teenage Psychic (通靈少女) (PTS)
She’s Family (媽媽不見了) (FTV)
Best Leading Actor – Drama:
Chris Wu (吳慷仁) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
Wes Luo (宏正) – High 5 Basketball (High 5 制霸青春) (GTV)
Roy Liu (劉德凱) – Never Forget Then (這些年那些事) (CTV)
Fan Guang Yao (樊光耀): Love of Sandstorm (戀愛沙塵暴)
Blue Lan (藍正龍) – Qseries (植劇場): Miss Jiang, You Talked About Love It (姜老師,妳談過戀愛嗎?) (TTV)
Best Leading Actress – Drama:
Queenie Fang (方宥心) – Reborn from the Dust (蘇足) (DaAi TV)
Allison Lin (林予晞) – Love By Design (必勝練習生) (TTV)
Ke Shu Qin (柯淑勤) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
Rainie Yang (楊丞琳) – Qseries (植劇場): Life PLan A and B (荼蘼) (TTV)
Yang Gui Mei (楊貴媚) – Life List (遺憾拼圖) (TTV)
Best Supporting Actor – Drama:
Zhang Ke Zhong (章可中) – Qseries (植劇場): Miss Jiang, You Talked About Love It (姜老師,妳談過戀愛嗎?)
Greg Hsu (許光漢) – Qseries (植劇場): Miss Jiang, You Talked About Love It (姜老師,妳談過戀愛嗎?)
You An Shun (游安順) – Abula’s Three Women (阿不拉的三個女人)
Huang Shang He (黃尚禾) – Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼)
Johnny Lu (路斯明) – Qseries (植劇場): Life PLan A and B (荼蘼)
Best Supporting Actress – Drama:
Ariel An (安唯綾) – Game (明天一起去樂園)
Sun Ke Fang (孫可芳) – Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼)
Chen Yu (陳妤) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
You Qiao Xuan (游蕎軒) – Reborn from the Dust (蘇足)
Liu Yu Ci (劉于慈) – Tonight (今晚,你想點什麼) (PTS)
Best New Actors / Actresses – Drama:
He Yu Chen (禾語辰) – Qseries (植劇場): Miss Jiang, You Talked About Love It (姜老師,妳談過戀愛嗎?)
Cammy Jiang (江宜蓉) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
Ha Xiao Yuan (哈孝遠) – Family Time (酸甜之味)
Sun Ke Fang (孫可芳) – Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼)
Chen Yu (陳妤) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
Best Director – Drama:
Wang Ming Tai (王明台) – Qseries (植劇場): Miss Jiang, You Talked About Love It (姜老師,妳談過戀愛嗎?)
Toyoharu Kitamura (北村豐晴) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
Wang Zi Ping (林子平) – High 5 Basketball (High 5 制霸青春)
Ke Zhen Nian (柯貞年) – Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼)
Xu Zhao Ren (許肇任) – Family Time (酸甜之味)
Best Screenwriter/ Script – Drama:
Wong Kong Cheng (王孔澂), Wang Ci Yang (王詞仰), Wu Han Jie (吳翰杰), Lin Pin Jun (林品君), Ke Zhen Nian (柯貞年), Chen Shi Jie (陳世杰), Fu Kai Ling (傅凱羚), Zhan Jun Jie (詹俊傑) – Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼)
Ryan Tu (杜政哲) and Yang Hui Wen (楊惠文) – Family Time (酸甜之味)
Mag Hsu (徐譽庭) – Qseries (植劇場): Life PLan A and B (荼蘼)
Zhang Ke Xin (張可欣) and Wen Yu Fang (溫郁芳) – Qseries (植劇場): Love of Sandstorm (戀愛沙塵暴)
Peng Yi Jing (彭怡菁) and Wen Hui Ming (溫慧明) – Game (明天一起去樂園)
Best Leading Actor – Mini-series/ Tele-movies:
Chris Wu (吳慷仁) – We Are One (望月) (DaAi TV)
Christopher Lee (李銘順) – The Long Goodbye (告別) (PTS’ Life Story Collection) (PTS)
Ke Shu Yuan (柯叔元) – Far and Away (外鄉女): Black Beauty (黑美人)
Fo Meng Bo (傅孟柏) – The Last Verse (最後的詩句) (PTS)
Lan Wei Hua (藍葦華) – The Cage (鴿籠) (PTS’ Student Life Story Collection) (PTS)
Best Leading Actress – Min-series/ Tele-movies:
Tiffany Hsu (許瑋甯) – Rock Records In Love (滾石愛情故事): Possessed (鬼迷心竅) (PTS)
Guo Shu Yao (郭書瑤) – The Teenage Psychic (通靈少女)
Annie Chen (陳庭妮) – The Long Goodbye (告別)
Cheryl Yang (楊謹華) – Rock Records In Love (滾石愛情故事): Endless Love (新不了情) (PTS)
Wen Zhen Ling (温貞菱) – The Last Verse (最後的詩句)
Best Supporting Actor – Mini-series/ Tele-movies:
Wu Kun Da (吳昆達) – Time to Say Goodbye (愛別離) (PTS)
Gao Meng Jie (高盟傑) – The Last Verse (最後的詩句)
Zhang Han (張翰) – Upstream (濁流) (PTS)
Cai Chen Nan (蔡振南) – She’s Family (媽媽不見了)
Xie Fei (謝飛) – Their Heaven (TMD天堂) (CTV)
Best Supporting Actress – Mini-series/ Tele-movies:
Nana Lee (李千娜) – The Teenage Psychic (通靈少女)
Zhou Heng Yin (周姮吟) – Rock Records In Love (滾石愛情故事): Norway’s Forest (挪威的森林) (PTS)
Yang Gui Mei (楊貴媚) – She’s Family (媽媽不見了)
Yang Li Yin (楊麗音) – Father (我的陌生爸爸) (PTS’ Student Life Story Collection) (PTS)
Carol Cheng (鄭家榆) – The Long Goodbye (告別)
Best New Actors / Actresses – Mini-series/ Tele-movies:
Lin Yu Ting (林羽葶) – An Angel at My Table (數到十 讓我變成沈曉旭) (PTS’ Life Story Collection) (PTS)
Lin Sun Yu Hao (林孫煜豪) – Pakeriran (巴克力藍的夏天) (PTS)
Yang Yan E (楊燕娥) – Setting Up Table (辦桌) (PTS)
Kent Tsai (蔡凡熙) – The Teenage Psychic (通靈少女)
Hong Di (鴻狄) – Pakeriran (巴克力藍的夏天)
Best Director – Mini-series/ Tele-movies:
Zhuang Xuan Wei (莊絢維) – Upstream (濁流)
Xu Li Da (許立達) – The Long Goodbye (告別)
Chen He Yu (陳和榆) – The Teenage Psychic (通靈少女)
Liao Shi Han (廖士涵) – We Are One (望月)
Lian Jian Hong (練建宏) – Their Heaven (TMD天堂)
Best Screenwriter/ Script – Tele-movies:
Li Ting Yu (李庭瑜), Lin Meng Huan (林孟寰), Chen He Yu (陳和榆), and Liao Zhen Kai (廖振凱) – The Teenage Psychic (通靈少女)
Shao Hui Ting (邵慧婷), Tu Fang Yang (涂芳祥), Zhan Da Wei (詹大為), and Lan Meng He (藍夢荷) – CODE (CODE浮士德遊戲) (iQiyi)
Xu Li Da (許立達) – The Long Goodbye (告別)
Fei Gong Yi (費工怡) – We Are One (望月)
Wen Yi Hui (溫怡惠) – Rock Records In Love (滾石愛情故事): You Go On Your Path (你走你的路) (PTS)
Best Cinematography:
Wang Cheng He (王晟合) and Sun Quan Cen (孫全岑) – High 5 Basketball (High 5 制霸青春)
Li Jing Bai (李景白) and Huang Jun Hua (黃駿樺) – Under Water 30 Meters (水下三十米) (Unique Satellite TV)
Chen Ke Qin (陳克勤) – The Long Goodbye (告別)
Chen Qi Wen (陳麒文) – Upstream (濁流)
Liu Zhi Huan (劉至桓) – The Last Verse (最後的詩句)
Best Film Editing:
Li Jun Hong (李俊宏) – The Last Verse (最後的詩句)
Du Su Ling (杜素鈴) and Yang En Xin (楊恩昕) – Their Heaven (TMD天堂)
Ruan Chang Lin (阮昌麟) and Mai Jue Ming (麥覺明) – Make In Taiwan (MIT台灣誌) (CTV)
Lin Zheng Hong (林政宏) – The Long Goodbye (告別)
Yang Bang Yan (楊邦彥) – High 5 Basketball (High 5 制霸青春)
Best Sound Editing:
Wu Bo Chun (吳柏醇) – Welcome To Happy Days (五星級魚干女) (GTV)
Li Shou Xin (李守信) and Chen Zhen Fa (陳振發) – Vulayan Stage Dream (Vulayan圓夢舞台)
Zhou Zhen (周震), Anu Kaliting Sadipongan (阿努‧卡力亭‧沙力朋安), and Chen Yi Wei (陳亦偉) – Pakeriran (巴克力藍的夏天
Qiu Sheng Yuan (邱昇元), Ye Yue Se (葉約瑟), Thomas Foguenne, and Cai Du Yi (蔡篤易) – The Last Verse (最後的詩句)
Lu Lu Ming (盧律銘) and Jian Feng Shu (簡豐書) – Qseries (植劇場): Close Your Eyes Before It’s Dark (天黑請閉眼)
Best Lighting:
Li Yuan Yue (李元嶽) – Go, Music! 3 (音樂萬萬歲3) (PTS)
Liu Chen Wei (劉宸瑋) – The Last Verse (最後的詩句)
Liu Chen Wei (劉宸瑋) – Upstream (濁流)
Xie Song Ming (謝松銘) – Their Heaven (TMD天堂)
Xie Han Yang (謝漢諹) – Far and Away (外鄉女): Black Beauty (黑美人)
Best Art and Design:
Wang Guan Yi (王冠懿) and Zhang Yi Feng (張軼峰) – The Last Verse (最後的詩句)
Lin Pei Chen (林沛辰) – Rock Records In Love (滾石愛情故事): Bless Me (祝我幸福) (PTS)
Yao Jun (姚君) and Weng Ding Yang (翁定洋) – Far and Away (外鄉女): Black Beauty (黑美人)
Tang Jia Hong (唐嘉宏) – Welcome To Happy Days (五星級魚干女)
Jian Chun Yu (簡春玉) – Rock Records In Love (滾石愛情故事): Possessed (鬼迷心竅)
*All information were translated and verified by DTLCT.

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Golden Bell Awards 2016: Winners

A year full of excitement and also some unexpected appearances. There was also some awkward moments but somehow the show managed to go on. Congrats to all winners!

Best Supporting Actor – Drama – Presented by Peter Ho and Tiffany Hsu:
Wu Cheng Di (吳政迪) – The Youth! (谷風少年) (Hakka TV)
Andy Chen Yi (陳奕) – The Day I Lost You (失去你的那一天) (CTV)
He Yi Hang (賀一航) – Baby Daddy (長不大的爸爸) (PTS)
Zheng Ren Shuo (鄭人碩) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Jason Zou (鄒承恩) – Youth Power (哇!陳怡君) (TTV)

Best Supporting Actress – Drama – Presented by Peter Ho and Tiffany Hsu:
Tian Xin (天心) – A Touch of Green (一把青) (PTS)
Lin Mei Zhao (林美照) – Baby Daddy (長不大的爸爸) (PTS)
Ke Shu Qin (柯淑勤) – Youth Power (哇!陳怡君) (TTV)
Joanne Zeng (曾之喬) – Marry Me or Not? (必娶女人) (CTV)
Linda Liu (劉瑞琪) – The Day I Lost You (失去你的那一天) (CTV)

Best New Actors / Actresses – Mini-series/ Tele-movies – Presented by Long Shao Hua and Li Li Ren:
Chen Ding Zhong (陳鼎中) – The Island of River Flow (川流之島) (CTV)
Xu Li Qi (徐力琦) – The End of Toby’s Morning (托比的最後一個早晨) (PTS)
Zhang Yuan He (張元赫) – The End of Toby’s Morning (托比的最後一個早晨) (PTS)
Peace Yang (陽靚) – Love, Lost and Found (愛我請回頭) (Videoland TV)
Wei Ru Xuan (魏如萱) – Ambiguous Time (曖昧時代) (PTS)

Best Screenwriter/ Script – Tele-movies – Presented by Long Shao Hua and Li Li Ren:
Li Quan Yang (李權洋) – Coin Boy (銅板少年) (PTS)
Tu Fang Xiang (涂芳祥) – The Black Box (黑盒子) (Hakka TV)
Chen Yu Ji (陳宇詰) – Lost Daughter (再見女兒) (PTS)
Zeng Ying Ting and Lin Yi Ling (曾英庭、林怡鈴) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Zhan Jing Lin (詹京霖) – The Island of River Flow (川流之島) (CTV)

Best Cinematography – Presented by Chen Mei Feng and Pauline Lan:
Li Ming (李鳴) – Laugh 24 Hrs (藥笑24小時) (PTS)
Chen Zong Zhi (陳宗志) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Chen Qi Wen (陳麒文) – The Island of River Flow (川流之島) (CTV)
Zhao Guan Heng (趙冠衡) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Han Ji Xuan (韓紀軒) – A Touch of Green (一把青) (PTS)

Best Lighting – Presented by Chen Mei Feng and Pauline Lan:
Ding Hai De (丁海德) – A Touch of Green (一把青) (PTS)
Zhuang Hong Bin (莊宏彬) – The Island of River Flow (川流之島) (CTV)
Liu Chen Wei (劉宸瑋) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Liu Chen Wei (劉宸瑋) – Join For Dinner (登入晚餐)
Xie Han Yang (謝漢諹) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)

Best Film Editing – Presented by Chen Mei Feng and Pauline Lan:
Li Jun Hong (李俊宏) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Du Su Ling and Liu Zhen Nan (杜素鈴、劉振南) – Laugh 24 Hrs (藥笑24小時) (PTS)
Du Min Qi (杜敏綺) – A Touch of Green (一把青) (PTS)
Zhan Jing Lin (詹京霖) – The Island of River Flow (川流之島) (CTV)
Xiao Ru Guan (蕭汝冠) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)

Best Sound Editing – Presented by Chen Mei Feng and Pauline Lan:
Wang Xi Wen and Jian Feng Shu (王希文、簡豐書) – Under the Water (溺境) (PTS)
Wang Min Xu, Chen Yong, Jiang Zhen Dao, Xu Lan Ting, and Thomas Foguenne (王敏旭、陳灉、蔣震道、許嵐婷、Thomas Foguenne) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Qiu Sheng Yuan, Wang Yong Lin, and Ye Yue Se (邱昇元、王詠霖、葉約瑟) – The Island of River Flow (川流之島) (CTV)
Chen Xiao Xia, Zhang Yi, Wu Bo Chun, Huang Da Wei, Lin Zhuan Zhi, and Chen Jie Han (陳小霞、張藝、吳柏醇、黃大衛、林傳智、陳玠含) – A Touch of Green (一把青) (PTS)
Zheng Hong Li (鄭宏澧) – Lost Daughter (再見女兒) (PTS)

Best Supporting Actor – Mini-series/ Tele-movies – Presented by Megan Lai and Baron Chen:
Wang Zi Qiang (王自強) – Mini For You Movie Theater: Light Rain (迷你4U電影院 毛毛雨)
Chen Ding Zhong (陳鼎中) – The Island of River Flow (川流之島) (CTV)
Hou Yan Xi (侯彥西) – Fresh Meat Dad (鮮肉老爸)
Renzo Liu (劉亮佐) – Coin Boy (銅板少年) (PTS)
Lan Wei Hua (藍葦華) – The Black Box (黑盒子) (Hakka TV)

Best Supporting Actress – Mini-series/ Tele-movies – Presented by Megan Lai and Baron Chen:
Wang Xuan (王琄) – Lost Daughter (再見女兒) (PTS)
Peace Yang (陽靚) – Love, Lost and Found (愛我請回頭) (Videoland TV)
Wei Er Sen (葳薾森) – Hate You, Murder Him, Love Me (三角犯罪) (PTS)
Xie Qiong Yuan (謝瓊媛) – Lost Daughter (再見女兒) (PTS)
Yan Yi Wen (嚴藝文) – The Fool and Sleeping Beauty (傻瓜與睡美人) (Videoland TV)

Best Leading Actor – Mini-series/ Tele-movies – Presented by Kaiser Chuang and Jacqueline Zhu:
Mark Lee (李天柱) – Lost Daughter (再見女兒) (PTS)
Roy Chiu (邱澤) – Rock Records In Love (滾石愛情故事): The Last Time of Tenderness (最後一次溫柔) (PTS)
Michael Chang (張少懷) – The Thin Blue Lines (奉子不成婚) (GTV)
Joe Chang (張書偉) – The Black Box (黑盒子) (Hakka TV)
Zheng Ren Shuo (鄭人碩) – The Island of River Flow (川流之島) (CTV)

Best Leading Actress – Min-series/ Tele-movies – Presented by Kaiser Chuang and Jacqueline Zhu:
Yin Xin (尹馨) – The Island of River Flow (川流之島) (CTV)
Zhu Zhi Ying (朱芷瑩) – The Black Box (黑盒子) (Hakka TV)
Kelly Ko (柯素雲) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Mei Fang (梅芳) – Laugh 24 Hrs (藥笑24小時) (PTS)
Xie Ying Xuan (謝盈萱) – The Sweet Place (加蓋春光)

Best Director – Mini-series/ Tele-movies – Presented by Miao Ke Li and (?):
Qiu Hao Zhou (邱皓洲) – The Black Box (黑盒子) (Hakka TV)
Ke Zhen Nian (柯貞年) – Under the Water (溺境) (PTS)
Chen Yu Ji (陳宇詰) – Lost Daughter (再見女兒) (PTS)
Zeng Ying Ting (曾英庭) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Zhan Jing Lin (詹京霖) – The Island of River Flow (川流之島) (CTV)

Best Mini-series/ Tele-movies – Presented by Miao Ke Li and (?):
The Island of River Flow (川流之島) (CTV)
Lost Daughter (再見女兒) (PTS)
The Cat in the Closet (衣櫃裡的貓) (PTS)
Coin Boy (銅板少年) (PTS)
The Black Box (黑盒子) (Hakka TV)

Best Art and Design:
Wang Xiao Tian (王筱恬) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Tang Jia Hong (唐嘉宏) – When Miracle Meets Math (愛情算不) (GTV)
Xu Ying Guang, Yao Jun, Xu Shu Hua, and Yan Zhen Qin (許英光、姚君、許淑華、嚴振欽) – A Touch of Green (一把青) (PTS)
Xu Ying Guang (許英光) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Jian Chun Yu (簡春玉) – Rock Records In Love (滾石愛情故事): Xiao Wei (小薇)

Best New Actors / Actresses – Drama – Presented by Alice Ko, Roy Qiu, and Joanne Zeng:
Nguyễn Thị Thúy Hằng / Nguyen Thi Thuy Hang (阮氏翠恆) – Tân Nương Giá Đáo‬ (新娘嫁到) (FTV)
Ben Wu (吳思賢) – Love Cuisine (料理高校生) (SETTV)
Hai Yu Fen (海裕芬) – War Family (我家是戰國) (GTV)
Huang Yu Lin (黃宇琳) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Cindy Lien (連俞涵) – A Touch of Green (一把青) (PTS)

Best Screenwriter/ Script – Drama – Presented by Alice Ko, Roy Qiu, and Joanne Zeng:
Yu Shang Min and Liu Rui Xuan (于尚民、劉蕊瑄) – Sunset (落日) (Hakka TV)
Lin Guan Zhong (林貫中) – Ba Ji Teenagers (一代新兵 八極少年) (CTS)
Huang Shi Ming (黃世鳴) – A Touch of Green (一把青) (PTS)
Zheng Xin Mei, Zheng Wen Tang, and Yang Hui Wen (鄭心媚、鄭文堂、楊惠文) – The Best of Youth (燦爛時光) (PTS)
Jian Qi Feng and Lin Xin Hui (簡奇峯、林欣慧) – Marry Me or Not? (必娶女人) (CTV)

Best Director – Drama – Presented by Alice Ko, Roy Qiu, and Joanne Zeng:
Yu Zhong Zhong (于中中) – Marry Me or Not? (必娶女人) (CTV)
Lin Hong Jie and Lin Qing Fang (林宏杰、林清芳) – Ba Ji Teenagers (一代新兵 八極少年) (CTS)
Qiu Hao Zhou (邱皓洲) – Sunset (落日) (Hakka TV)
Cao Rui Yuan (曹瑞原) – A Touch of Green (一把青) (PTS)
Zheng Wen Tang (鄭文堂) – The Best of Youth (燦爛時光) (PTS)

Best Leading Actor – Drama – Presented by Blue Lan and Tian Xin:
Kingone Wang (王傳一) – The Day I Lost You (失去你的那一天) (GTV)
Chris Wu (吳慷仁) – A Touch of Green (一把青) (PTS)
Roy Chiu (邱澤) – Marry Me or Not? (必娶女人) (CTV)
Fu Meng Bo (傅孟柏) – Ba Ji Teenagers (一代新兵 八極少年) (CTS)
Shan Cheng Ju (單承矩) – Sunset (落日) (Hakka TV)

Best Leading Actress – Drama – Presented by Blue Lan and Tian Xin:
Cindy Lien (連俞涵) – A Touch of Green (一把青) (PTS)
Cheryl Yang (楊謹華) – A Touch of Green (一把青) (PTS)
Alice Ko (柯佳嬿) – Marry Me or Not? (必娶女人) (CTV)
Nana Lee (李千娜) – The Day I Lost You (失去你的那一天) (CTV)
Gail Lin (林嘉俐) – Life is Full of Beauty (吉姊當家) (DaAi TV)

Best Dramas:
Ba Ji Teenagers (一代新兵 八極少年) (CTS)
A Touch of Green (一把青) (PTS)
Marry Me or Not? (必娶女人) (CTV)
Sunset (落日) (Hakka TV)
The Best of Youth (燦爛時光) (PTS)

*All information were translated and verified by DTLCT.

Golden Bell Awards 2016: Nominations List

Best Dramas:
Ba Ji Teenagers (一代新兵 八極少年) (CTS)
A Touch of Green (一把青) (PTS)
Marry Me or Not? (必娶女人) (CTV)
Sunset (落日) (Hakka TV)
The Best of Youth (燦爛時光) (PTS)

Best Mini-series/ Tele-movies:
The Island of River Flow (川流之島) (CTV)
Lost Daughter (再見女兒) (PTS)
The Cat in the Closet (衣櫃裡的貓) (PTS)
Coin Boy (銅板少年) (PTS)
The Black Box (黑盒子) (Hakka TV)

Best Leading Actor – Drama:
Kingone Wang (王傳一) – The Day I Lost You (失去你的那一天) (GTV)
Chris Wu (吳慷仁) – A Touch of Green (一把青) (PTS)
Roy Chiu (邱澤) – Marry Me or Not? (必娶女人) (CTV)
Fu Meng Bo (傅孟柏) – Ba Ji Teenagers (一代新兵 八極少年) (CTS)
Shan Cheng Ju (單承矩) – Sunset (落日) (Hakka TV)

Best Leading Actress – Drama:
Cindy Lien (連俞涵) – A Touch of Green (一把青) (PTS)
Cheryl Yang (楊謹華) – A Touch of Green (一把青) (PTS)
Alice Ko (柯佳嬿) – Marry Me or Not? (必娶女人) (CTV)
Nana Lee (李千娜) – The Day I Lost You (失去你的那一天) (CTV)
Gail Lin (林嘉俐) – Life is Full of Beauty (吉姊當家) (DaAi TV)

Best Supporting Actor – Drama:
Wu Cheng Di (吳政迪) – The Youth! (谷風少年) (Hakka TV)
Andy Chen Yi (陳奕) – The Day I Lost You (失去你的那一天) (CTV)
He Yi Hang (賀一航) – Baby Daddy (長不大的爸爸) (PTS)
Zheng Ren Shuo (鄭人碩) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Jason Zou (鄒承恩) – Youth Power (哇!陳怡君) (TTV)

Best Supporting Actress – Drama:
Tian Xin (天心) – A Touch of Green (一把青) (PTS)
Lin Mei Zhao (林美照) – Baby Daddy (長不大的爸爸) (PTS)
Ke Shu Qin (柯淑勤) – Youth Power (哇!陳怡君) (TTV)
Joanne Zeng (曾之喬) – Marry Me or Not? (必娶女人) (CTV)
Linda Liu (劉瑞琪) – The Day I Lost You (失去你的那一天) (CTV)

Best New Actors / Actresses – Drama:
Nguyễn Thị Thúy Hằng / Nguyen Thi Thuy Hang (阮氏翠恆) – Tân Nương Giá Đáo‬ (新娘嫁到) (FTV)
Ben Wu (吳思賢) – Love Cuisine (料理高校生) (SETTV)
Hai Yu Fen (海裕芬) – War Family (我家是戰國) (GTV)
Huang Yu Lin (黃宇琳) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Cindy Lien (連俞涵) – A Touch of Green (一把青) (PTS)

Best Director – Drama:
Yu Zhong Zhong (于中中) – Marry Me or Not? (必娶女人) (CTV)
Lin Hong Jie and Lin Qing Fang (林宏杰、林清芳) – Ba Ji Teenagers (一代新兵 八極少年) (CTS)
Qiu Hao Zhou (邱皓洲) – Sunset (落日) (Hakka TV)
Cao Rui Yuan (曹瑞原) – A Touch of Green (一把青) (PTS)
Zheng Wen Tang (鄭文堂) – The Best of Youth (燦爛時光) (PTS)

Best Screenwriter/ Script – Drama:
Yu Shang Min and Liu Rui Xuan (于尚民、劉蕊瑄) – Sunset (落日) (Hakka TV)
Lin Guan Zhong (林貫中) – Ba Ji Teenagers (一代新兵 八極少年) (CTS)
Huang Shi Ming (黃世鳴) – A Touch of Green (一把青) (PTS)
Zheng Xin Mei, Zheng Wen Tang, and Yang Hui Wen (鄭心媚、鄭文堂、楊惠文) – The Best of Youth (燦爛時光) (PTS)
Jian Qi Feng and Lin Xin Hui (簡奇峯、林欣慧) – Marry Me or Not? (必娶女人) (CTV)

Best Leading Actor – Mini-series/ Tele-movies:
Mark Lee (李天柱) – Lost Daughter (再見女兒) (PTS)
Roy Chiu (邱澤) – Rock Records In Love (滾石愛情故事): The Last Time of Tenderness (最後一次溫柔) (PTS)
Michael Chang (張少懷) – The Thin Blue Lines (奉子不成婚) (GTV)
Joe Chang (張書偉) – The Black Box (黑盒子) (Hakka TV)
Zheng Ren Shuo (鄭人碩) – The Island of River Flow (川流之島) (CTV)

Best Leading Actress – Min-series/ Tele-movies:
Yin Xin (尹馨) – The Island of River Flow (川流之島) (CTV)
Zhu Zhi Ying (朱芷瑩) – The Black Box (黑盒子) (Hakka TV)
Kelly Ko (柯素雲) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Mei Fang (梅芳) – Laugh 24 Hrs (藥笑24小時) (PTS)
Xie Ying Xuan (謝盈萱) – The Sweet Place (加蓋春光)

Best Supporting Actor – Mini-series/ Tele-movies:
Wang Zi Qiang (王自強) – Mini For You Movie Theater: Light Rain (迷你4U電影院 毛毛雨)
Chen Ding Zhong (陳鼎中) – The Island of River Flow (川流之島) (CTV)
Hou Yan Xi (侯彥西) – Fresh Meat Dad (鮮肉老爸)
Renzo Liu (劉亮佐) – Coin Boy (銅板少年) (PTS)
Lan Wei Hua (藍葦華) – The Black Box (黑盒子) (Hakka TV)

Best Supporting Actress – Mini-series/ Tele-movies:
Wang Xuan (王琄) – Lost Daughter (再見女兒) (PTS)
Peace Yang (陽靚) – Love, Lost and Found (愛我請回頭) (Videoland TV)
Wei Er Sen (葳薾森) – Hate You, Murder Him, Love Me (三角犯罪) (PTS)
Xie Qiong Yuan (謝瓊媛) – Lost Daughter (再見女兒) (PTS)
Yan Yi Wen (嚴藝文) – The Fool and Sleeping Beauty (傻瓜與睡美人) (Videoland TV)

Best New Actors / Actresses – Mini-series/ Tele-movies:
Chen Ding Zhong (陳鼎中) – The Island of River Flow (川流之島) (CTV)
Xu Li Qi (徐力琦) – The End of Toby’s Morning (托比的最後一個早晨) (PTS)
Zhang Yuan He (張元赫) – The End of Toby’s Morning (托比的最後一個早晨) (PTS)
Peace Yang (陽靚) – Love, Lost and Found (愛我請回頭) (Videoland TV)
Wei Ru Xuan (魏如萱) – Ambiguous Time (曖昧時代) (PTS)

Best Director – Mini-series/ Tele-movies:
Qiu Hao Zhou (邱皓洲) – The Black Box (黑盒子) (Hakka TV)
Ke Zhen Nian (柯貞年) – Under the Water (溺境) (PTS)
Chen Yu Ji (陳宇詰) – Lost Daughter (再見女兒) (PTS)
Zeng Ying Ting (曾英庭) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Zhan Jing Lin (詹京霖) – The Island of River Flow (川流之島) (CTV)

Best Screenwriter/ Script – Tele-movies:
Li Quan Yang (李權洋) – Coin Boy (銅板少年) (PTS)
Tu Fang Xiang (涂芳祥) – The Black Box (黑盒子) (Hakka TV)
Chen Yu Ji (陳宇詰) – Lost Daughter (再見女兒) (PTS)
Zeng Ying Ting and Lin Yi Ling (曾英庭、林怡鈴) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Zhan Jing Lin (詹京霖) – The Island of River Flow (川流之島) (CTV)

Best Cinematography:
Li Ming (李鳴) – Laugh 24 Hrs (藥笑24小時) (PTS)
Chen Zong Zhi (陳宗志) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Chen Qi Wen (陳麒文) – The Island of River Flow (川流之島) (CTV)
Zhao Guan Heng (趙冠衡) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Han Ji Xuan (韓紀軒) – A Touch of Green (一把青) (PTS)

Best Film Editing:
Li Jun Hong (李俊宏) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Du Su Ling and Liu Zhen Nan (杜素鈴、劉振南) – Laugh 24 Hrs (藥笑24小時) (PTS)
Du Min Qi (杜敏綺) – A Touch of Green (一把青) (PTS)
Zhan Jing Lin (詹京霖) – The Island of River Flow (川流之島) (CTV)
Xiao Ru Guan (蕭汝冠) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)

Best Sound Editing:
Wang Xi Wen and Jian Feng Shu (王希文、簡豐書) – Under the Water (溺境) (PTS)
Wang Min Xu, Chen Yong, Jiang Zhen Dao, Xu Lan Ting, and Thomas Foguenne (王敏旭、陳灉、蔣震道、許嵐婷、Thomas Foguenne) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Qiu Sheng Yuan, Wang Yong Lin, and Ye Yue Se (邱昇元、王詠霖、葉約瑟) – The Island of River Flow (川流之島) (CTV)
Chen Xiao Xia, Zhang Yi, Wu Bo Chun, Huang Da Wei, Lin Zhuan Zhi, and Chen Jie Han (陳小霞、張藝、吳柏醇、黃大衛、林傳智、陳玠含) – A Touch of Green (一把青) (PTS)
Zheng Hong Li (鄭宏澧) – Lost Daughter (再見女兒) (PTS)

Best Lighting:
Ding Hai De (丁海德) – A Touch of Green (一把青) (PTS)
Zhuang Hong Bin (莊宏彬) – The Island of River Flow (川流之島) (CTV)
Liu Chen Wei (劉宸瑋) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Liu Chen Wei (劉宸瑋) – Join For Dinner (登入晚餐)
Xie Han Yang (謝漢諹) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)

Best Art and Design:
Wang Xiao Tian (王筱恬) – The Cat in the Closet (衣櫃裡的貓) (PTS)
Tang Jia Hong (唐嘉宏) – When Miracle Meets Math (愛情算不) (GTV)
Xu Ying Guang, Yao Jun, Xu Shu Hua, and Yan Zhen Qin (許英光、姚君、許淑華、嚴振欽) – A Touch of Green (一把青) (PTS)
Xu Ying Guang (許英光) – La Grande Chaumière Violette (紫色大稻埕) (SETTV)
Jian Chun Yu (簡春玉) – Rock Records In Love (滾石愛情故事): Xiao Wei (小薇)

*All information were translated and verified by DTLCT.

Xiao Hai Da Ren

(image credit: captured by DTLCT)

Because I wanted to watch Yvonne and since it was 8 episodes, I thought it should be all right, considering how I don’t have any problems with the rest of the cast. So how was it? Pretty good actually. In fact, surprisingly good.

Lin Zhen Sheng and Xiao Meng Feng were both framed for a crime they didn’t commit, one being a murderer and the other a thief. They crossed paths when Meng Feng was supposedly one of the hunters for the final reward. However, Meng Feng’s intention wasn’t the money. She wanted justice. Lin Zhen Sheng was said to have killed his wife, so he escaped to the wilderness with his son (who was just a baby at the time). A chase ensued with cops and other hunters involved, which ended tragically–with Zhen Sheng committing suicide by jumping into the sea. Five years later, both father and son resurfaced again and another chase began. However, Meng Feng was the one trying to protect the little boy from harm.

Main Cast:

  • Lee Wei as Lin Zhen Sheng (林振昇) aka Da Ren (大人). He was framed for the death of his wife and had to flee with his child still only a baby. Not only did he have to deal with the cops but also the hunters (who were after the reward). At first, I wondered why he was so reluctant to fight back. I understood at the beginning where he had no choice but to run since everyone was out to get him. YET later when he was in a somewhat safe situation and had the cops to back him up, I didn’t get why he didn’t turn the other dude in. SO the other guy was his friend and also brother-in-law YET it wasn’t worth his or his kid’s freedom. When the whole truth revealed, I finally got it and felt that he was really stuck in a major obstacle. His family was so messed up that it was hard to deal with regardless. He had chosen to let go and seek peace, but they had forced him to throw the ultimatum. I seriously think Lee Wei does better in these types of closer to real-life situation dramas than the typical idol dramas. NOT that I didn’t think he was convincing in the other ones or too one-dimensional. But I always felt he fit more into the serious drama category because he often acted with his eyes and less expression hence looking passive to viewers who were used to watching the usual exaggeration of facial expressions.
  • Lee Kang Yi as Xiao Meng Feng (蕭孟楓). The ending was a shocker with her character. It wasn’t surprising that she could hack into Zhen Sheng’s account and send out the e-mail since she was a pro in computer-related things all right with her ability to fake the ID card that one time, among other things. YET I didn’t see it coming with her being the one. But it made sense since it was the only reasonable explanation in how she didn’t cave into the reward money but wanted to take in Xiao Hai and protect him even if her own security was being threatened. I know there are good people in this world who wouldn’t care for that type of reward, but in her situation, it wouldn’t be too ‘over’ with her wanting to improve her lifestyle by taking the reward money. Having a grudge with the Xia family once upon a time was one thing, but chasing after that reward money wasn’t too unreasonable either. It was guilt that had dominated her decisions in protecting Xiao Hai ’til the end since she did have a hand in influencing others to take action on Zhen Sheng (but had accidentally killed the wife instead). She can’t be blamed for others’ actions totally but what I meant was her guilt being the key to her unwavering decision. Same for Lee Wei, I think she fends better in serious type of dramas. Maybe the pressure to convince in idol drama was higher or the needing to add the right touch of exaggeration seemed too much. She would be better off doing these types of dramas since I liked her after watching Wayward Kenting and felt it was a shame she wasn’t more popular.
  • Tender Huang as Fang You Long (方又龍). A somewhat bizarre cop, but good in general. I thought he would be one of those really dark characters yet he was quite funny at the scene where he was in the boss’ office and the man was persuading him to get married to Xin Yu and he got back at the man by saying that his father wanted to sever ties with him (the boss). NICE… YET within all those jokes aside, he was indeed a righteous cop with high analytical talent and a solitaire persona to go with it. What made it realistic about him was how he wasn’t thinking about himself as a hero (because he was helping Zhen Sheng). It was more about his guilt and that he didn’t want to become a killer by just arresting people day after day. He thought of it as a burden because it wasn’t like everyone was guilty or more like his supposed ‘goal’ was getting wavered. He even realized he was losing it with going astray from the ‘cop’ route but at the same time, the concept of ‘right’ and ‘wrong’ was deluding because of what he saw versus what he had learned (and carried out as part of the job). First time watching him (though I have heard of him already) and was impressed. Natural.
  • Yvonne Yao as Jiang Xin Yu (江欣瑜). I must admit this was like the first time watching anything with Yvonne in it properly (aka no skipping around). I tried to not get all biased toward her character (aka favoring her instead of focusing on the character), but soon accepted that it was all right she wasn’t portraying a more likable character. I was okay with her having contributed to the plot greatly (of course since she was responsible for capturing Zhen Sheng). Then I settled for how her character sort of made us realize there exist such people in life, always seeing what was in the box–and with a competitive attitude, it was dangerous all right. However, her turnaround was when she actually entered the Xia household personally and had a talk with the father and son. It seemed that she wasn’t really blind with her sense of justice, but it was just her stubbornness getting in the way. She didn’t waver to those temptations with offering a smooth sailing career (i.e. allowing her to advance toward a higher position). Perhaps because of how she had chosen when presented that particular minion, we could appreciate her stubbornness and forgive her previous actions. After all, she was a person big on technicalities, right? And OMG, I so didn’t expect her to die. I swear! I thought she would continue to be her strong and independent self, leading on her team after this particular case. YET she died. (Is Yvonne meant to play these types of tragic characters?)
  • Luo Xuan Ming (駱炫銘) as Lin Yu Sen (林昱森) aka Xiao Hai (小孩). He grew up in the wilderness so of course, his knowledge of what existed on the other side of civilization was foreign to him. At least where the whole pop culture went. Yet it seemed he had a lot of natural instincts and survival skills, which his father had taught him (to ensure his safety in case situations presented itself). But it wasn’t like he was that clueless on some things, because he had known about those classics but Meng Feng didn’t. (Yup, thanks to his father for listening to those and teaching him about it.) What could I say about this child actor? He should be one of the kids getting some attention here because he was really convincing. He could look cute if it was the case, but someone had made a good call by keeping his character consistent with his somewhat rouge personality and allowing him to carry some sense of attitude. After all, he had been taught of survival skills and the whole hunter/prey concepts throughout those five years, so it would be irrelevant to make him suddenly a cute, cuddly teddy bear. It wasn’t like he wasn’t any less cute, but he didn’t act all ‘cute and cuddly’ to receive more viewers’ attention.
  • Pan Bo Xi as Ku Ku (酷酷). OMG, I felt so bad for him. His personal space got invaded and he also got threatened. SAD. But that was funny how he was being bullied by both Meng Feng and Xiao Hai. And sometimes I ponder about him, especially when Zhen Sheng returned to civilization and even stayed at their place for a while. I wouldn’t blame him for being scared out of his wits of the situation–if it were the case. Yet it was just too suspicious at times since his character was somewhat hard to figure out (if he was going to turn them in), which had nothing to do with Pan Bo Xi’s acting since I felt he portrayed the character convincingly. I was just getting paranoid because of the trust factor being quite questionable in many cases in here. Yet he pulled through with saying that they (he and Meng Feng) should take Xiao Hai in if Zhen Sheng didn’t come back.

Others:

  • Leo Ding as one of the cops. He appeared in episode 1 when they were doing the chase five years ago, but didn’t appear later. It was a shame but not too unreasonable since it was five years later, who knew what happened so it wasn’t like he would be around and about at the same place. I felt his somewhat smart-aleck comments contributed to the already intense background because there would always be some cop making those types of comments at a crime scene or some similar situation. Wasn’t too out of it.
  • Deng Zhi Hong as Deputy Chief Officer (副局長). He was sure a voice of guidance in here though he seemed weak at times. The reason why he was even torn between doing what he should (aka his job) and emotional conflicts was because he was trying to look after Fang You Long. He was also often forced to take sides between You Long and Xin Yu. Though he received some blows from both parties, he continued to be advising them throughout the investigation. Though known to be looking after You Long and supporting him, I thought most of the memorable scenes were with Xin Yu since he often advised her on various matters, even scolding her if she was going past the line. (But in a way, I guess the conversations with Xin Yu emphasized his caring for You Long, etc.) One of his memorable lines was near the end of episode 7 when he told Xin Yu that money and power could buy a lot of things, including human life.
  • Fu Lei as Xia Yong Jun (夏永鈞). His words at the beginning were full of ironies even if I didn’t pay attention to the whole speech he was saying and how he had lied, etc. Well, I never thought he had a hand in his own daughter’s death (though it wasn’t impossible). I just didn’t think of it at that time. What was ironic though was his claim that he didn’t want to seek revenge on the killer, but only wanted his grandson to be safe and be with him, etc. Come on now, he might as well be saying: “I don’t need to take revenge, you guys could do that for me.” YUP, that was what I was thinking. You send people out on a manhunt with that amount of a reward and expect the other dude to be unharmed? NICE… (Or was that his purpose all along?) Well, if it were other situations, it would make sense that the father would be pissed off, in fact–beyond livid, if his daughter got killed by his son-in-law. BUT I just felt it was ironic with the statement of not wanting revenge when offering such a large reward for the kid.
  • Yao Yi Ti as Xia Xiu Min (夏秀敏). The poor victim who was too trusting. Well, it was her own family after all and I did admire her for supporting them and not just side with her husband like that. Though she had found out later of the real version and wanted to keep it under wraps (again, because they were family) and he had let go as well, but because of the e-mail, she had died in his place in the end.
  • Cindy Mong as Yan Xing Fang (顏幸芳). Can’t sympathize with her. Regardless. I don’t know. It was just too much. She didn’t believe her daughter? Okay, so the pressure of the public was too much, but did that make it better by delivering the final blow? At least they had each other for support YET she pulled the final step under her daughter by letting on that her daughter should end it? Emotional support sometimes made the toughest situation better so there it went.
  • Olivia Wu as Xiao Wii (小Wii). I don’t know. It wasn’t her fault for what happened since she was captured. So no comment except she tried.
  • Wu Ting Hong as Ba Shang (巴尚). Always portraying the same type of role with loving his culture, singing those inspirational songs, and being his humble self. No complaints either. He did contribute to being part of the supporting team for the father and son.
  • Jet Chao as Chen Bo Lun (陳伯倫). What could I say aside from “I want to kill him too”? Honestly, the most despicable and/or hateful character in here. Yet I guess his character (among other hunters) gave us the side of how human nature had become when some type of situation occurred, such as that of the reward that was offered twice. Life wasn’t about all the marshmallows and granola bars but the downside of human’s driven instinct to fulfill a certain agenda was risking everything to achieve that, even if it took depriving other fellow mankind a chance to live.
  • Zhao Shun as Fang You Long’s father. A convincing performance. I had seen him more in hilarious dramas, portraying a father or grandpa. This time, it was the father but his character extended that to cope with his own sickness, and at the same time wanting to cheer his son on.
  • Ma Li Ou (馬利歐) as He Zhi Wei (何智偉). Knew he was bad from the moment he appeared. Blame it on paranoid, LOL! I don’t trust him. He just looked too suspicious (and probably intentional for the plot).
  • Lan Wei Hua as Li Zhi Ming (李志明).
  • Fang Shao Wei as Zhang Yong Kuan (張永寬).
  • Chen Jian Heng as Song Xiang Yang (宋向陽). Xiao Li’s boyfriend. Also the one responsible for Jiang Xin Yu’s death. Yet it felt satisfying when he thought he could get away with it but he became hunted in the end.
  • Xue Ti Ying as Xiao Li (小莉). The traitor. The same fate as her boyfriend. I didn’t care if she was upset when she found out her boyfriend had fired the gun at Jiang Xin Yu. She helped him throughout with all the other stuff, sabotaging them.
  • Wang Dao Nan as Chief Officer. Part of the corrupted team. Or was he? I don’t know. There were just too many people involved in the whole mess that I ended up losing track, except for their immediate supervisor.
  • Lesley Hu as Xiao Hong (小虹). A loyal friend who had stuck through thick and thin with Meng Feng throughout different topsy-turvy situations. She took care of Meng Feng’s mother while Meng Feng wasn’t around, and even aided in all she could. Her threats to You Long to take good care of Meng Feng was both touching and hilarious since it seemed like he couldn’t back down.
  • Liu Xiao Qi as Xiao Luo (小羅). Almost thought it was him instead of Xiao Li, lol. Okay, so I wanted to pick on the guy but usually, they make the girls the weakling (at least in other TW dramas I’ve seen). Wasn’t around much so I can’t comment but sure contributed to the case as one of the possible moles of the team.

Bonds/Relationships/Others:

  • Lee Wei and Luo Xuan Ming as Da Ren and Xiao Hai aka the father and son team. Quite touching (as it should be between father and son). Though raised far from civilization and somewhat abnormal to others yet it didn’t mean the kid was any different. He was quite attached to his father regardless of what he would come to know with all the correct terms to call his father (or know of it).
  • Lee Kang Yi and Luo Xuan Ming as Xiao Meng Feng and Xiao Hai. I loved their interaction. At first, it seemed like she was going to be the gentle caring kind, which she could. Yet the two of them trying to get along was just hilarious. He was driving her insane with all the questions and she was trying her best to explain. What was even more hilarious was the little kid knew of Tchaikovsky’s music YET she didn’t know. It was just too funny. Priceless moment when she kept going, “What?” and he took over the explaining, lol. What became touching between the two of them was when Xiao Hai realized she had become a prey just like him (after Kuku explained the situation), and he stepped over to where Meng Feng was working on her laptop and sat down back-to-back just like how he and his father used to do. It was like an acknowledgment that she had become family. Not to mention the trust and sense of security the kid felt toward her (which Zhen Sheng said in episode 6 before he left the car).
  • Meng Feng, Xiao Hai, and Kuku under the same roof. Hilarious. Kuku was so outnumbered, lol. Kuku’s home got invaded by two barbarians! (LOL!) He suddenly had to behave around his house? It was so funny how Kuku was given the threat by Xiao Hai if he didn’t eat the hamburger. They both don’t like it anyway, but Kuku was given the ultimatum? LOL! Poor Kuku! And what was funnier was seeing Kuku complaining to Meng Feng that Xiao Hai was being partial to her versus him. (LOL!)
  • Lee Kang Yi and Tender Huang. I don’t really know how to call them since they were a mixture of being on the opposite side at the beginning yet shared some kind of companionship throughout the later parts of the plot. I liked it that they were speaking in codes when they were contacting each other and all. Then the funniest part was him telling her to be careful yet he didn’t realize he had been followed and/or being monitored by his own team until she told him. Then there was the trust between the two of them. It wasn’t like they trusted each other immediately after the whole rescue scene at the beginning. Their trust built slowly and rationally because it made sense they were on their guards, considering the circumstances they met. And how they were considered to be on opposites, but I found their trust for one another held true, unlike other cases where trust should have been mutual yet it wasn’t as they had thought. Their relationship developed slowly from unsure whether they should trust one another to some sort of partnership/companionship/conspirators (whatever you want to call it) and then love. It wasn’t rushed or unrealistic like other dramas where you suddenly just ‘know’ he/she was the one. (*roll eyes* Sorry, I had to put that in.) Their relationship was built over time, not letting on they were living in some delusional world. What I felt was quite refreshing was the scene near the end where they met in the woods again and she ran over to hug him, but he had said that he hadn’t forgotten Xin Yu yet. She replied that she didn’t want him to forget Xin Yu, but she just wanted him to remember her (Meng Feng). It made all the difference with their type of relationship and was consistent with the rest of the plot thus far. Whereas other dramas where they always convince us that the leads have to forget some other person and focus 100% on the current person to be acceptable (which I would understand since no one in their right mind would want their significant other to think of someone else all the time), this one had said it was all right that someone else lived in the guy’s heart. Perhaps it had to do with the fact that Xin Yu had died, but I also remember other dramas wanting someone to forget the ‘deceased’ being 100% too before moving on. But this one didn’t force that concept into play. It made Meng Feng a refreshing character. (And of course, he had considered her feelings hence uttering out those words, not wanting to be unfair to her when he knew he still had Xin Yu in his heart. YUP, a reality check was always good since it would be too flaky if he didn’t say that but just hugged her back and/or added some other cheesy line about them finally being together.)
  • Tender Huang and Yvonne Yao. Refreshing pairing for me yet their characters didn’t allow more chemistry (and it made sense not to linger just there), but it wasn’t lacking either since I could feel the intensity of a couple bickering, among other scenes of sweetness or tormented feelings. They were so wrong for each other and he had realized it already. Finally breaking it off was a hard blow for her hence making her mix between work and personal. Though she had said it hadn’t affected her judgment but I felt she was out to prove her principles more than anything. And though I don’t agree with what she had done, I felt the reaction made sense. Sometimes couples do not realize they shouldn’t stick together or at least one person sees it but the other couldn’t. It was the latter in their case. (And it rang so true with places not allowing co-workers to date OR it would lead to disaster.) I was on my way of convincing myself it was all right they didn’t end up together but the finale made it so heart-wrenching that it was so hard to let go. The part where he heard that Song Xiang Yang’s girlfriend was a cop named Xiao Li, he was running like mad to get there yet it was too late. And in situations like these, I felt it was okay that he was being unsure that one time when she left after the arrests to go and deal with Xiao Li’s situation. (YES, he looked like he was thinking some possibility or was torn between her and Meng Feng.) I guess when they let their ‘being right’ get in the way, it was better off breaking up. When they cooled down and made their peace (in this case she knew he was right in his hunches), it wasn’t impossible to rethink their relationship. Though I knew they wouldn’t get back together anyway–even if she hadn’t die, it wasn’t too unreasonable to have lingering feelings because they had been together for five years already. (Right? That was my guess since it seemed they weren’t together at the beginning of the story but maybe was just working together when he was brought in as an expert.)
  • Tender Huang and Zhao Sun as father and son. They were convincing all right. I felt that hug when You Long returned from the hospital and the old man thought it was Meng Feng and the other two returning from the park. And the old man said he knew his son would make it. That was touching indeed.

Likes:

  • Reality Check. At first, I thought there were some careless moments like how Meng Feng didn’t lock her door when she got in the car to escape with Xiao Hai (since it was common sense after all), but in the later parts, I found it flowing along with real-life instances. There were little details that helped convince different situations.
  • Genuine. Perhaps it might go along with the previous point. But what made it likable was its ability to carry through without adding side formulas that would turn into the whole ‘lame’ zone.
  • Theme. I liked it that it revolved around the pair of father and son among other types of relationships and happenings in life. I guess I’m just sick of watching too much romance stuff from TW dramas and found it refreshing to see it focus on family or other types of relationship rather than just romance. I meant I know everything co-exists at once in other dramas too, but the main focus was always romance between the main leads and not as much as focused on other types of bonds.
  • No romances between Zhen Sheng and Meng Feng hence no triangle between the three main leads. The triangle was already subtle between Meng Feng/You Long/Xin Yu so I had to thank the scriptwriters of sparing us the moment of another triangle. They didn’t have time anyway BUT glad they didn’t include that too. Technically, You Long had broken it off with Xin Yu because of their conflicting POV and had fallen for Meng Feng after but because of Xin Yu’s continued feelings for You Long, I sort of treat that as a triangle. That was why I was so glad it didn’t happen with Zhen Sheng/Meng Feng/You Long as well. It would take away the whole focus on the father and son relationship between Zhen Sheng and Xiao Hai. And I have no problem if Zhen Sheng were to find love in the future after he put his past behind him, etc BUT it would have been a joke if they had done that at the same time when he was already in a mess.

Conclusion? It’s such a shame that these types of dramas aren’t as popular nowadays. It’s really a gem within all those current ones. The characters in here are so genuine, capturing different types of people existing in real life. And their relationships and/or interactions might or might not be similar to the ones we know near us. But because of how it was projected, we could really relate to them. Whether it was Lin Zhen Sheng’s choice to run for it, defending himself rather than relying on others since the beginning (because he had been betrayed by someone so close by). Or if it was Xiao Meng Feng who used her connections of friends actively when she was on the run (at least for the first part of the escape). And what about that of Fang You Long who was quite righteous but also considered other possibilities to different stories? He wasn’t a perfect being (just like everyone in here) but he also represented a part of reality where one would understand life wasn’t about pure black and white, but a whole lot of grayness in between. Then there was Jiang Xin Yu who stuck to her principles and stubbornness with not caving into other types of measures, believing that she was approaching things in the right direction. She was possibly the least likable among the supposedly “good side” in here (at least until near the end), but also someone who existed in real life. After all, don’t we all know some people who wouldn’t cave into anything? Unless they suggested there was evidence or supposedly doing everything the way they thought right? But it wasn’t like the scriptwriters had gone out of their way to make us hate Xin Yu so we could sympathize with the other female lead better since Xin Yu’s admittance to You Long later in the hospital had allowed us to look into her character a bit more. It was her vulnerable side and that she was a woman after all–aside from that police officer tough exterior, and a woman who wanted to protect the man she loved with all she thought she could do (whether it had been the wrong approach or not). Then there was Xiao Hai, an innocent kid who knew a lot about survival of the fittest but wasn’t utterly cruel because of his contamination of the wilderness and his father’s teaching. He had a lot to learn about the real civilization but his emotions were very real with the people around him. What made the characters real was also because they didn’t have to be on the opposite of the scale with one really hyperactive versus the other being passive like in other dramas. Their principles and actions defined who they were without needing to stand out. That had made the difference.

Trust was like the driven vehicle throughout the plot. It was questioned numerous times between different characters. Yet who could they really trust? Lin Zhen Sheng was betrayed by someone rather close to him hence the flee at the beginning. Xiao Meng Feng was forced to cave in and admit guilt by her mother, but still chose to trust her friends–and later Fang You Long. Fang You Long had trusted his team yet they had betrayed him. (If he hadn’t trusted them, would he have been that upset upon the discovery–and the eventual confrontation?) Then there was the hybrid of polices who was no longer trustworthy because they could already be bought over by the many promises doled out or money thrown in. It was hard to blame Jiang Xin Yu totally for sticking to her principles of what was the correct process in an investigation because that stubbornness had allowed her to stand firm with the justice side, not caving into the temptation thrown her way.

What I loved about this drama (YES, I had used ‘love’) was the anti-dramatic element. Well, there were quite a few nerve-wracking scenes in here. Yet it wasn’t portrayed in a way that was too over. Nor was it magnetized with the dramatic moments to the point that we caught the creators of the show trying too hard to make it a suspenseful drama. There were tear-jerking moments and emotional confrontations, but it wasn’t overdone to the point that we realized it was too flaky (aka done on purpose to grab attention that it seemed too unreasonable and out of the plot’s context). No one was really the real hero but was just drifting along doing what they had to in the circumstances that were presented. After all, how many situations in life do we see all the whole ‘hero’ scenes so dramatic presented like onscreen in other dramas? Sure, we all want to be the hero in situations, but it wasn’t like it happened so dramatically. Sometimes, it was just the small deeds that occurred. But then again, the reason why this drama might not be as popular is because people love dramas and love being drama-kings and queens so why not seek for more exciting shows, right?