HK TV Series Worth Watching

This is the Hong Kong list, as promised in the other post.  This will be longer, mostly because I started with watching HK ones first. And I also started this two years ago but didn’t launch it until now.

Ancient:

A Tough Side of a Lady – Mulan story going haywire. YET consider it a comedy and enjoy it for its humor. Wong Hei and Marianne Chan made such a cute couple in here.

Better Halves – A fun, light-hearted (for the most part, lol) drama. Nice collaboration between Steven and Maggie.

Destined to Rebel – Ignore the history and you’ll enjoy this since the cast’s really nice to watch. Tragic ending yet it wasn’t too lame.

Heroic Legend of the Yang Family – I don’t remember much anymore, but it was indeed a grand production that was worth it.

In the Realms of Joy – Many people might not even remember or care about this but I thought it was one of those best comedies because they managed to include major and minor characters into the plot. I hate it when they kept focusing on one or two persons SO it would get boring so fast.

King Maker – Was surprised. There were times that it veered off the road, BUT I guess compared to some recent ones, had to say it was good enough.

Lethal Weapons of Love and Passion – This was an adaptation of Huang Yi’s novel, which had gone haywire somewhat because of the alterations in characters and plot in general. Nothing new because adaptations could never match that of the original author’s intention and it often had to do with the capability to do it or not. But regarding characters, I think they did it on purpose with making some people ‘too good’ so as not to damage some reputations. (PUH-LEASE.) I wasn’t so against the cast though had my doubts regarding some people. YET I watched anyway since I just love those ancient serials and how it was wuxia too. Surprisingly, I enjoyed it.

Mystery of the Parchment – Some stuff didn’t make sense. Yet it was one of those if you don’t pay attention as much, you end up enjoying it for its ancient setting.

Road for the Heroes – Half comedy and half serious. But it still retained some of the ancient feelings that didn’t make it corny at all.

Road to Eternity – This was surprisingly good without ruining it too much. This has a lot of Buddhism in it (obviously) and zen stuff.

Safe Guards – What can I say? I’m a sucker for the Steven and Wayne team.

Square Pegs – The ending sort of killed it. Yet I guess it couldn’t be any other way. But it was too frustrating. Still worth the time with some parts though.

Swordsman Lai Bo Yee – It was quite draggy at one point too. But the overall was pretty good for an ancient one.

Ten Tigers of Guangdong – Major production from ATV. Can’t say there weren’t frustrated moments. But it was somewhat worth it with those series back then.

The Buddha Jin – One of the earlier adaptations of Ji Gong that was worth it.

The Commandments – I used to hate it when I was little since I didn’t get why people were so gossipy, etc. YET I learned to love this little comedy later on for its intention.

The Duke of Mount Deer 1984 – Interestingly, it was the version that got all the chronological orders right with how the main dude met all the girls/women in his life. Though the personalities and plot elements had gotten lost for some people. (YES, I’m technical so sue me.) There was also the start of the whole ‘Andy and Tony’ team that had grabbed the audience over the years when they reunite in another movie/series. Oh yeah, Elaine Chow Siu Lan actually got a role worth mentioning in that one.

The Gentle Crackdown II – One of the rare times that the sequel was better than the 1st part. Maybe because some parts made a lot more sense.

The Great General – The sequel of “Heroic Legend of the Yang Family”. Wasn’t super perfect, but was really interesting for the most part, not to mention excellent acting from the majority of the cast.

The Greatness of a Hero – One of the rare surprises of recent years.

The Hunter’s Prey – Despite the ending that left some of us felt like we were choking but the overall plot wasn’t bad. Eddie Cheung got sacrificed as usual but what else was new? (YET people still dare to say that he just got sacrificed recently just to boost some younger faces. YEAH RIGHT, he got sacrificed a longgggggg time ago. STOP making it into some stupid fan war to bash the new generation.)

The Legend of the Condor Heroes 1982 – Actually a big and long production that was worth it? The plot got shuffled around a bit but I guess the overall wasn’t too bad. (Don’t convince me how phenomenon it was or how “classic” it was, I watched it! Like more than 10 times too. AND then read the book right afterward so I know what the hell got shuffled and sacrificed. Despite being a grand production, it wasn’t that accurate either. IF you have the resource, at least DO IT RIGHT.)

The New Adventures of Chor Lau Heung 1984 – Despite the fact that it distorted sooooooo much from Gu Long’s novels, except for some parts, it was pretty good if look as a totally different series. (AND don’t even get me started on how they tarnished Gu Long’s vision of the actual story, the point got missed major time but turned into a popular route instead, which was a super shame BECAUSE those who watched this first will never appreciate the more accurate adaptations of the later years. OR should I say the ones that came before as well?)

The New Heavenly Sword and Dragon Sabre 1986 – Let’s just say, the first part of the parents’ generation was much more interesting than the rest. YET it was okay overall. You just watch for the cast ’cause if you really think about it, it was kind of frustrating at times. Not to mention it had distorted some parts and characters.

The Return of the Condor Heroes 1983 – OMG, it was more accurate to the novel than the first part. That was what made it even better to watch. (NOT saying it was better than part 1 here because technically this is just part of the trilogy, just saying it was more accurate hence making it even more enjoyable on its own.)

The Slicing of the Demon – Another surprise in recent years. Maybe because it didn’t go the typical, formulaic route with playing safe and all.

The Smiling, Proud Wanderer 1984 – OMG, this was awesome from the music to the acting, etc. Honestly, CYF was awesome as LHC. The story got shuffled around, some characters were tone down to be more endurable YET they sacrificed others to make a certain character looked better. But like that was news. The overall was good if you skip around more. Then I just did a re-watch of recent and I found the ending unendurable. I swear, NOT picking on this BUT XAJH is technically my favorite (after DOMD) BUT TVB killed the ending. (YES, it was so dragging with them trying to make heroes out of the lamest characters.) It’s sooo sad that they never do a correct adaptation for this one OR the casting is so off. I don’t know if there will ever be one that actually does the novel justice, BUT even this version didn’t satisfy me. Despite awesome acting with some people. AND oh yeah, the song that became the drive for LCH’s journey was practically forgotten halfway through already. OR maybe a third way through. What the hell was that? Then I pulled myself together and reminded myself that at least it focused on jianghu related stuff more than on the soaps side (cough cough). Not to mention they didn’t cut out some of my favorite characters just to make room for some characters that only got 2-minutes fame in the actual novel.

The Two Most Honorable Knights 1988 – Umm…the cast made it good. I don’t know. There wasn’t much to go on because they butchered the plot. Once again, Gu Long got robbed but what else was new, right? I hated the whole ‘merge in characters’ for some people. I heard the ’70s version was more accurate but I can’t be sure since I didn’t watch that yet. And there was also the whole thing with me not finishing the novel yet.

Vampire Expert II – Those traditional vampire capturing stories. Great stories of various sorts, but also included some comedies as well.

Where The Legend Begins – Only some people made it good. Yet it was an interesting take from the other side of the whole ‘three kingdoms’ stories.

Pre-Modern:

Au Revoir Shanghai – NOT because I liked most of the cast involved. That helped. But I thought it was well thought out. In fact, most Shanghai related series are good. I said ‘MOST’, NOT ‘all’.

Coincidentally – The first series that Frankie and Annie paired up together–despite the fact that they’ve been in several series together already.

Fist of Fury – It was awesome! One of those ATV classics.

Good Against Evil – I loved it. Not only because of Deric but how the plot seemed to have a mixture of mystery, comedy. etc.

Phoenix Rising – I was surprised to really enjoy this. A lot of gray areas come into play. And sometimes you really wonder if you should take some people’s words for it. Some were obvious, but others were hard to figure.

The Charm Beneath – One of those surprisingly good ones. Regardless of the cast. Or if the plot might be frustrating at times.

The Legend of Dragon Pearl – OMG, I didn’t expect to enjoy it so much. The comedy was mad and random, but it was really charming because of everyone’s acting. OR more like most people’s acting.

The Price of Greed – Despite some poor acting in place, the plot was really good. It had really carried out some chilling effects with all the plots and schemes.

The W Files – Sci-fi/detective/ crime solving one. Pretty cool actually since it addressed a mixture of cases that had to do with the phenomenon side.

Thou Shalt Not Cheat – OMG, it was a riot! Despite some frustrations here and there, the series was good overall. The comedy wasn’t too over either.

Modern:

A Great Way to Care – Ignore the somewhat lame title since it was overlooked somewhat because of that. I didn’t regret diving in though I had my initial doubts.

Black Heart, White Soul – Need I say more? It’s been a while since I enjoyed something so this one had to be placed in after I was done with the series.

Catch Me Now – One of the surprisingly good ones. YET the ending sort of killed it. But I guess it wasn’t the worst of them all when it was trying to kill the main character.

CIB Files – The only series ever that I could like Bowie Lam. (Don’t know why, just that he always seem to be intimidating regardless.) It was creative in the way it was shot at the beginning and led us into the story. The office dramas were reflected throughout and it was fun to see. Though the Wong Hei and Maggie Siu pairing was kind of odd but wasn’t the worst and was still cute in a way.

Cross Border Daddy – Inspirational one. NOT perfect since there were quite a few parts that could do without. Yet it turned out fine.

D.I.E. – The first one was enough. There were mixes of madness among other things since most characters were quite weird. Yet some of the foundations got ruined in the later parts, especially near the ending. But it was decent overall.

Family Man – I lost count with how many times I watched this already. Quite meaningful though not flawless. A good mixture of comedy and romance.

Forensic Heroes I & II – YES, I listed 2 as well because I still liked it despite it sacrificing some characters. The cases were all right.

Forensic Heroes III – MOST people were against it because of its link to the previous installments but it was really decent for a standalone series. There were glitches within the plot (like most TVB series) but it was NOT that terrible like some claimed.

Hearts of Fencing – A light-hearted, youth drama. Many might not care for it. But I thought it was worth watching if you want to reminisce about the old school days. AND for the first time, the ages of the students weren’t off since they used some fresh faces (at the time) to fit the roles.

Just Love II – It honestly was better than part 1 for some reason. Since the foundation was better with some clarifications. And perhaps I rather deal with Johnson’s Mr. 13 than some annoying ‘father-in-law’.

Last One Standing – Quite intense and mind games were involved. The deception and conspiracies from both sides were quite nerve-wracking at times. Yet worth it.

Life Art – Many will disagree since it seemed so average. Yet I felt it was one of those light-hearted ones. There were dramatic moments that the characters went through. But overall, it was really genuine.

Master of Play – Psychological theme, and other dark themes. Add in some more art. NOT everyone’s cup of tea, but it’s one of those that forces one to think about life in general and the choices people make (and much more).

My Date With A Vampire I, II, & III – YES, I’m the rare one who liked all three. Though there were parts that could do without and there were frustrations, I think I valued it for the story, the acting, and interesting interpretations at times. (LOL!)

Not Just A Pretty Face – Hilarious!

Odd Man Out – MOST people probably didn’t remember this or might not know of its existence. It was one of those nonsense comedies but didn’t go into the ‘lame’ boundary.

One Step Beyond – It was mad random and bordering on nonsensical at times. But it managed to capture some of the unpredictable at times.

Placebo Cure – I was surprised since I didn’t think much of it when it came out. But I checked it out anyway later.

Project Ji Xiang – I’m a sucker for those ghost-related ones. Not to mention it was a decent one overall with the plot NOT moving too fast or too slowly.

Reincarnated II – Didn’t watch the other version, and didn’t read the novel either, but enjoyed the series overall.

Seed of Hope – Loved it, very meaningful and not too much. Though I hated some of the ending stuff that happened to Kenix’s character, I tried to just erase that part for its traumatic effects. Patrick and Kenix also made an interesting pairing.

Shade Of Darkness – Ghost revenge type of series. Surprisingly interesting.

Speech of Silence – Another surprise.

Steps (aka The Whole City Is Dancing) – Steven & Bernice. AND Wayne. NOT the best since the ending sort of killed it. But decent overall.

The Brink of Law – Quite exciting and actually unpredictable at various points.

The Ghostbusters Gang – It was mixed with comedy and ghost related stuff. But really nice to watch the cast battle it out at times.

The Hero From Shanghai – Good Gallen and Maggie collaboration. Didn’t realize they had so much chemistry and were quite cute together. There were also nice fighting scenes, lol.

The King of Yesterday and Tomorrow – Fun, time travel drama. Loved the cast and acting.

Tiger Cubs – Short and simple. The end.

When Heaven Burns – A major surprise for me. Many things I already mentioned in the review since I actually did a long one for the series, but it honestly was worth it. Some might not like it because of the ‘slow’ pace but I didn’t think it was slow at all. Sure, there were times that I got impatient but I was worried the ending would get ruined. But the details were essential for later parts.

Who Is The Killer – Old, but good overall.

Sitcoms:

Be My Guest – It was sooo long ago, but I remember loving it.

Off Peddar – Despite the fact that the ending ruined it, it was pretty good overall.

Welcome to the House – Some of the cast annoyed the world out of me, but the rest made up for it. And besides, it was mostly a senseless comedy so I didn’t really mind.

*NOTE*: This list will be updated from time to time. Also, the list is by alpha order AND not by significance. And this will also be included in the “Helpful + Fun Posts” in case anyone’s interested.

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Master of Play

This was on my ‘to-watch’ list anyway so no surprise that I followed through. OMG, I read some spoilers coming into the series. BUT lucky I didn’t care for it since I had read some comments on how people who like happy, fluffy stuff might not like it. (AND that some people might not get it.) SO I was patient and followed throughout–without fast-forwarding. YES, I do admit that some parts were slow, but it was essential to the overall story. Because it revolved around psychological conflicts, I tried to be patient since I do enjoy those types of theme, and the mystery it often involved. I must say that I was quite impressed and have to say that it was cleverly done throughout. Honestly, the same creators who made When Heaven Burns and somewhat of a similar cast here and there, but it was worth it. I was really fascinated with the plot layout and the order the story was told in–in an attempt to focus on the emotional and psychological turmoils within more than just some lame plot about “OMG, it’s a psycho, we need to bring him in” type of thing. YES, the cops were there and they tried to bring the “psycho” in too. YET it wasn’t so. Since the cops were just part of the background story. The major and minor characters in here were much more complicated than that. Again, like When Heaven Burns, it focused on how life wasn’t just full of black and white–though the discussions often bounced back and forth–here and there. Exploring the gray areas of life with how people react to certain situations and what they would go through to protect those around them was more realistic than just focusing on convincing ‘who was right’ or ‘who was actually wrong’ all along. Sure, there were the obvious sides of the ones who were supposedly good and the bad, but only the layout was that way because society liked to separate. However, the way it was made with what was going on, the creators of the show let us decide that on our own.

Main Cast:

  • Adam Cheng as Kan Siu Nam (靳兆楠). Finally, a totally different role for Adam without the whole ‘heroic’ title attached. Though I found it a tad weird at the beginning and needed some getting used to, I soon focused on his character more to see what was going on. In a way, I found it cool to use that type of technique to solve cases at first. YET later, I found it stupid. Seriously, trying to attach yourself to the killer’s personality to get to him/her? It was crazy all right. It was too risky, to say the least. I realized more and more later on that he was such a busybody. It was like saying he didn’t have to involve himself within the cases yet he did. He wasn’t a cop anyway, so why was he meddling? I swore his fate was deserved because he kept digging and digging and all the stuff that he got into made situations worse–to say the least. Though I understood his character’s conflicts at times, especially regarding his daughter–and the way he was getting himself involved so he could avoid the unavoidable with what happened to his daughter ages ago. (That was my guess.) YET he didn’t know when to stop. That was his downfall. He seriously messed with the wrong party and even if he had killed Ivan, he was going down. I’m not hinting at the psychological breakdown either but more like the whole getting burned to death at the end. Aside from all those things, I thought he was convincing in this role. Regardless of how he was too into his conflict with accepting his daughter’s death OR when he was losing it with becoming Ivan, he sort of created those worlds convincingly.
  • Maggie Siu as Esther Lee Chor Kiu (李楚蕎). Typical poor rich girl role. YET the later parts made her character different. Maggie’s short hair in here reminded me of her younger days when the short hairstyle was her trademark. But I really miss her longer hair, like how it was at the beginning of the series. Anyway, I felt so bad for her not because she got sacrificed (or more like sacrificed herself to save Ivan). But her family had a lot to do with her downfall. To have her own mother not supporting throughout, always pretending to care for her (and scolding Ivan) YET all the mother cared about was status and reputation. (Not to mention how her mother loved sons over daughters, AND I wonder what the hell she is? Is she not a woman herself?) Only Ivan was the one who was there for Esther when she went through such tragic situations. Ivan made her feel whole and important.
  • Moses Chan as  Ivan Cheung Sai Yin (章世言). This must be one of Moses’ most challenging roles. Not only did he have to act as Ivan in conflict with himself, but he had to switch to the other personalities also. By the time the story shifted to Esther finding out about Moses’ multiple personality problem, that scene was so brilliant. Moses was able to distinguish the differences among each personality. When he acted as all those personalities, it really reflected how the others were playing out their roles as his personalities. It was like looking into a mirror of personalities. (Great team.) I felt one couldn’t really hate Ivan because though he could be considered a killer, but he didn’t just kill recklessly and as he liked. Either he was forced to kill or he didn’t have a choice. (Saying “we always have a choice” IS LAME and unrealistic.) The choices he made caused the irreversible in the end, but from the beginning, he was tormented with his own guilt and whatever voice of the conscience was left.
  • Aimee Chan as Natalie Cheung Sai Ting (章世婷). We were misled into thinking she was Kan Siu Nam and Angela’s missing daughter for the majority of the series. At least most of the clues pointed to her, until she later revealed it herself at the police station. (Actually, her conversation with Ivan before she left their house said it all with her telling him to clean up his act since there won’t be anyone around to do that for him anymore, and that because of him she had to lie to two very pitiful persons.) I was impressed with her performance throughout. She made me feel the liveliness of Natalie’s innocence side at the beginning, and the more complicated side later on as the story unfolded and she found out much more of her brother’s world that had caused her shift in attitude and/or reaction about life. (AND this was a comparison among all her other roles that I had watched, NOT hinting that she was superior to others. YET I don’t think I need to prove my taste–or capability–at all. People could think whatever they want. Honestly.)

Others:

  • Ram Tseung as John. The director at the local theater and also Kan Siu Nam’s best friend. He was often the voice of reason to stop Kan Siu Nam from doing anything rash or getting into sticky situations. I must indeed agree he was the wisest in here though he didn’t judge. BUT I disagreed with Kan Siu Nam that he would get killed for his own intelligence because Kan should be referring to himself regarding the whole getting hurt for being intelligent. (Since Kan kept meddling into others’ matters, which were not his.) I so agreed with John when he told Kan that it wasn’t Kan’s job to put the balance back in the universe with his actions (i.e. what to do with Ivan’s case).
  • Rebecca Chan as Angela Mok Lai Hing (莫麗馨). I liked her character in here, really liked it. She was not only wise but didn’t care if she became the ‘bad’ person or got misunderstood when she tried to stop Kan from his craziness. It wasn’t like she didn’t care for her daughter YET she knew how to stick with reality and moving on didn’t mean not loving her daughter anymore. It just meant she wanted to cherish her life and not let the others in her life down.
  • Lily Ho as Tansy Kan Chi Ying (靳芷縈). The older version of Tansy. NOT the real Tansy but more like the imagined version of Tansy to which Kan Siu Nam was drawing up as part of his fantasy (aka not accepting that Tansy was already dead). I don’t know. I didn’t have any feelings toward her except knowing she was what Kan imagined his daughter would be like, a cute, lovable girl, etc.
  • Yu Yang as Steve Chan Yat Kei (陳一奇). A very funny character. I know several dentists (OF COURSE with the necessity of having one BUT also personally), and his personality in here was too funny to relate to. Yet I guess all is possible since there are many dentists in this world and outside work, they’re normal human beings living their own lives after all. I really liked his character because he was really down to earth and could always turn negative moments into positive ones. Though what I found kind of unrealistic was him not getting suspicious or minding about Kan still being friends and hanging with them at mealtimes, etc. (NOT saying it’s impossible, it’s just awkward in so many ways–even if many years have passed already.) OMG, his death was so unexpected. I blame it on Kan for being the “unlucky star” and invited him over. (I wonder why he didn’t turn on the light BUT I guess he had a habit of listening music in the dark like that or just wanted to enjoy the music without turning the light on.)
  • Dickson Wong as Will Chan Cheuk Kwan (陳卓鈞). I felt like he was trying too hard at times or seemed like he was trying to remember the script. I swear, he looked that way. But regarding his character, I guess he was a supportive son at times.
  • Matt Yeung as Jasper/ Kong Sir (江Sir). I thought he was more suitable on the pyscho-killer route than being a cop. Seriously, he was just using his dead girlfriend as an excuse in every way he could to supposedly work hard and clean up the streets. He’s the one who should be cleared away. NOT only was he trying to “clean the street” BUT he was really ungrateful toward his colleagues and others around him. Sure, Kan was quite a busybody and had a hand in fueling Jasper’s craziness even more, BUT his attitude was already terrible before. He treated his fellow cops as “dogs” (his words at one point) and always exude the arrogant aura. I thought Matt did a good job portraying this character, convincing us Kong Sir was very well on his way to the psychopath route–without any help from anyone either.
  • Kenny Wong as Eric. Ivan’s evil persona. Creepy all right. Kenny’s rather challenging role instead of some other typical boring ones? I don’t know. I finally was convinced of his acting in this one. And I actually thought that he was capable of some other roles instead of the typical ones he’d been portraying for a while. It wasn’t like he was new, but he had been passive for a while so I felt it was refreshing he’d taken on this role.
  • Rachel Kan as Michelle. Ivan’s lust and envy persona. Convincing. She made me despise her so bad at first when I didn’t realize she was just Ivan’s personality.
  • Steven Ho as Martin. Ivan’s wrath and violence persona. He seriously was perfect with the rest of the crazy team.
  • Glen Lee as Edwin. Ivan’s pride and cunning persona. YUP, ever so convincing. With the additional makeup, it really aided his cause. And also how his eyes were always wandering that made me think he was always up to something. Cunning indeed.
  • Dia Yiu Ming as Henry. Ivan’s conscience. The voice that got snubbed out throughout the story and eventually disappeared since Ivan was already way past reasoning. (And I so don’t blame Ivan.) I guess Henry was one of the reasons why Ivan still kept it under wraps at times with his persuasion–even if his voice was practically blocked out by the other personalities.
  • Tsui Wing as the psycho-killer who chopped off people’s hands at the beginning. Seriously, he was crazy all right. But TW was convincing in that area.

Couples:

  • Adam and Rebecca. Though I got it, somehow I didn’t buy it.
  • Yu Yang and Rebecca. I felt like she–along with their son–were one happy family all right. They complemented each other quite well with him being the comedic one to calm her down while she was the serious one.
  • Moses and Maggie. A touching story. Cheating aside (though trust me, I don’t like those situations), I loved them together. It was so sad and tragic that no word could describe it completely. Yet their goodbye scene before she turned herself in said it all. Regardless of the things he went and did behind her back, he was firm on not letting her go, i.e. not allowing his other personalities to drop her (even after he got famous).
  • Adam and Maggie. ODD TO DEATH. I understand the purpose of the plot, but I just didn’t buy it. Even from Kan’s side, I couldn’t feel that he cared for her. Sure, he was sad and frustrated when she died, but I felt that wasn’t love. Maybe it was more like he blamed himself for her death. (And he probably did but it wasn’t love.)

Themes/Elements:

  • Multiple personality disorder aka dissociative identity disorder. The Jekyll Bar was the obvious sign of Ivan having a multi-personality problem (.i.e. hinting at Dr. Jekyll and Mr. Hyde). This is one of the most popular themes used in any type of movies/TV series. TVB also love to use this one because it’s the most intriguing one. However, they often have like two sides fighting with one another, etc. This time, however, the creators of the show went all out with letting Moses’ character, Ivan, have five other personalities inside him. It was actually more realistic, considering what types of traumas Ivan went through since his childhood. I also liked it that they focused on the physiological side rather than just “capturing the bad guy.” They went to the core of the problems and acknowledged his internal conflicts more, what he was struggling through. AND that they looked beyond the whole “killer monster” thing. It didn’t matter if some viewers might not get it. I was glad they went ahead and kept things consistent throughout.
  • Stage Plays. I might not remember all the literary materials I read in school, but I felt it was clever to incorporate that into the whole plot. It somehow did the talking for the incidents happening around their lives. Like it was correlating itself with the current situations they had to deal with. (It reminded me how the whole radio segments were the narratives for the incidents in When Heaven Burns versus stage plays for this one.)
  • Sand Paintings. I might not like all the quotes in here, but I found it fascinating with the art. I liked the symbolism that was incorporated into the paintings. And it was a refreshing theme in a sense. At least something that hasn’t been overdone just yet.

Controversies/Rants/Whatever:

  • The name “Ivan” and some comparison going on on Weibo (and possibly other websites). I saw some really arrogant comments regarding this AND couldn’t let it pass. Really people? Picking on someone’s name? Or saying that you only remember so and so? Okay, so I get it that people could only remember so much after watching so many series, etc. But to imply you only remember that particular one AND not care for others, go ahead and say it out. Stop hiding behind phrases and trying to dodge when the time comes to clarify stuff. So you thought a certain character was more memorable than others OR something. (I’m guessing since I’m not going to get all arrogant to say I’m right.) YET to play that little ‘game’ regarding names is funny. (There are a lot of common names in this world, do you want to go there? Implying that only a certain person matter? Just because someone was named–or had chosen–that particular name too made them less significant?)
  • Too dark/morbid. Hello? If you didn’t want to be spoiled by the plot summary or whatever, at least watch the theme video first OR see the poster or something. It’s going to be morbid.
  • Too complicated for housewives to understand. Even if TVB had aimed to zoom in on housewives as the majority of the audience, the rest of us out there might want to watch too. AND that’s plain generalizing. Just because they’re now housewives DO NOT mean they could be stomped on and insulted like that. Sure, some might not get the complexity of the artistic view OR some other elements incorporated into the drama itself, but some of the situations occurred in there, they might have more contact with than those so-called ‘educated’ one. (I’m talking about people dealing with emotional conflicts and how losing a loved one OR having to protect someone might land them into such sticky situations.)

The ending? Did Kan Siu Nam die? Don’t you love open endings? (YUP, we’ve all been there, hate it. Yet I didn’t mind this time.) It left lots of rooms for questions. So here’s my interpretation. I think he did die. Because there was only 10 more seconds when Natalie stepped out of the tent and yelled for the others to stop the crank and let him go, etc. YET her voice was muffled by the crowd. Then it zoomed to Angela waking up and trying to look for him. The next part was him in his dream place playing with his daughter for the last time YET they didn’t complete the game. By the time it got to the dream he must have lost consciousness already hence being able to enter the dream realm. After he hugged his daughter, we saw that she was finally gone yet he was the one holding the seeds in his hands. He was finally released from his own illusion of his daughter. I don’t think he could ever let go of his daughter unless he ends up dying. Like it was the final release. Because even when he had become Ivan completely (or so he thought), he kept repeating the fact like he wasn’t Kan Siu Nam because Kan Siu Nam was so pitiful and that Ivan was the one having a sister, etc. SO he rather lied to himself and lived that lie than face the truth after that one last blow of thinking he found his daughter and losing her all over again. His psychological state was already going into the irreversible stage with him taking on Ivan’s role so convincingly hence when he finally found out the whole ‘daughter’ thing was just a lie, his emotional state collapsed at the same time. The whole going back and forth to reassure himself was already ‘screaming’ so loudly that he knew deep down he wasn’t Ivan YET he rather lived with still some hope of having a sister and his life starting anew rather than nothing at all. And what about the ending scene where they showed backstage around his work area where the scripts were pinned here and there and scattered everywhere? The voices reading the dialogues? That sort of was a memorial scene for a once-famous stage performer. Or it seemed so to me.

Recommended? If you like literature, morbid stuff, psychological stuff, AND are super patient, go for it. BUT if you rather go for a comedy and don’t want to think too much after a long day at school or work, DON’T BOTHER. It’s that complicated. I don’t want to insult anyone, but it’s a lot because of how it was crafted–like I mentioned earlier with the pieces of puzzles and all. It would drain you down with so much conflicts going on throughout after layers and layers of deception and confusion were tossed into place.

NOTE: I’m shutting down comments for this particular post because I had it with some of the hate rants regarding some cast members. AND possibly the plot. I get that this might not be everyone’s taste, but purposely dragging it down because of some aspects not related to the series itself IS LAME. I don’t have the energy to argue with anyone or try to prove my point anymore. AND I think I rather focus on bringing the positive side of this blog back to where it belonged–like how I first started it.