HK TV Series Worth Watching

This is the Hong Kong list, as promised in the other post.  This will be longer, mostly because I started watching HK ones first. And I also started this two years ago but didn’t launch it until now.

Ancient:

A Tough Side of a Lady – Mulan story going haywire. YET consider it a comedy and enjoy it for its humor. Wong Hei and Marianne Chan made such a cute couple in here.

Better Halves – A fun, light-hearted (for the most part, lol) drama. Nice collaboration between Steven and Maggie.

Destined to Rebel – Ignore the history and you’ll enjoy this since the cast’s really nice to watch. Tragic ending yet it wasn’t too lame.

Heroic Legend of the Yang Family – I don’t remember much anymore, but it was indeed a grand production that was worth it.

In the Realms of Joy – Many people might not even remember or care about this but I thought it was one of those best comedies because they managed to include major and minor characters into the plot. I hate it when they kept focusing on one or two persons SO it would get boring so fast.

King Maker – Was surprised. There were times that it veered off the road, BUT I guess compared to some recent ones, had to say it was good enough.

Lethal Weapons of Love and Passion – This was an adaptation of Huang Yi’s novel, which had gone haywire somewhat because of the alterations in characters and plot in general. Nothing new because adaptations could never match that of the original author’s intention and it often had to do with the capability to do it or not. But regarding characters, I think they did it on purpose with making some people ‘too good’ so as not to damage some reputations. (PUH-LEASE.) I wasn’t so against the cast though I had my doubts regarding some people. YET I watched anyway since I just love those ancient series and how it was wuxia too. Surprisingly, I enjoyed it.

Mystery of the Parchment – Some stuff didn’t make sense. Yet it was one of those if you don’t pay attention as much, you end up enjoying it for its ancient setting.

Road for the Heroes – Half comedy and half-serious. But it still retained some of the ancient feelings that didn’t make it corny at all.

Road to Eternity – This was surprisingly good without ruining it too much. This has a lot of Buddhism in it (obviously) and Zen stuff.

Safe Guards – What can I say? I’m a sucker for the Steven and Wayne team.

Square Pegs – The ending sort of killed it. Yet I guess it couldn’t be any other way. But it was too frustrating. Still worth the time with some parts though.

Swordsman Lai Bo Yee – It was quite draggy at one point too. But the overall was pretty good for an ancient one.

Ten Tigers of Guangdong – Major production from ATV. Can’t say there weren’t frustrated moments. But it was somewhat worth it with those series back then.

The Buddha Jin – One of the earlier adaptations of Ji Gong that was worth it.

The Commandments – I used to hate it when I was little since I didn’t get why people were so gossipy, etc. YET I learned to love this little comedy later on for its intention.

The Duke of Mount Deer 1984 – Interestingly, it was the version that got all the chronological orders right with how the main dude met all the girls/women in his life. Though the personalities and plot elements had gotten lost for some people. (YES, I’m technical so sue me.) There was also the start of the whole ‘Andy and Tony’ team that had grabbed the audience over the years when they reunite in another movie/series. Oh yeah, Elaine Chow Siu Lan actually got a role worth mentioning in that one.

The Gentle Crackdown II – One of the rare times that the sequel was better than the 1st part. Maybe because some parts made a lot more sense.

The Great General – The sequel of “Heroic Legend of the Yang Family”. Wasn’t super perfect, but was really interesting for the most part, not to mention excellent acting from the majority of the cast.

The Greatness of a Hero – One of the rare surprises of recent years.

The Hunter’s Prey – Despite the ending that left some of us felt like we were choking but the overall plot wasn’t bad. Eddie Cheung got sacrificed as usual but what else was new? (YET people still dare to say that he just got sacrificed recently just to boost some younger faces. YEAH RIGHT, he got sacrificed a longgggggg time ago. STOP making it into some stupid fan war to bash the new generation.)

The Legend of the Condor Heroes 1982 – Actually a big and long production that was worth it? The plot got shuffled around a bit but I guess the overall wasn’t too bad. (Don’t convince me how phenomenon it was or how “classic” it was, I watched it! Like more than 10 times too. AND then read the book right afterward so I know what the hell got shuffled and sacrificed. Despite being a grand production, it wasn’t that accurate either. IF you have the resource, at least DO IT RIGHT.)

The New Adventures of Chor Lau Heung 1984 – Despite the fact that it distorted sooooooo much from Gu Long’s novels, except for some parts, it was pretty good if look as a totally different series. (AND don’t even get me started on how they tarnished Gu Long’s vision of the actual story, the point got missed major time but turned into a popular route instead, which was a super shame BECAUSE those who watched this first will never appreciate the more accurate adaptations of the later years. OR should I say the ones that came before as well?)

The New Heavenly Sword and Dragon Sabre 1986 – Let’s just say, the first part of the parents’ generation was much more interesting than the rest. YET it was okay overall. You just watch for the cast ’cause if you really think about it, it was kind of frustrating at times. Not to mention it had distorted some parts and characters.

The Return of the Condor Heroes 1983 – OMG, it was more accurate to the novel than the first part. That was what made it even better to watch. (NOT saying it was better than part 1 here because technically this is just part of the trilogy, just saying it was more accurate hence making it even more enjoyable on its own.)

The Slicing of the Demon – Another surprise in recent years. Maybe because it didn’t go the typical, formulaic route with playing safe and all.

The Smiling, Proud Wanderer 1984 – OMG, this was awesome from the music to the acting, etc. Honestly, CYF was awesome as LHC. The story got shuffled around, some characters were tone down to be more endurable YET they sacrificed others to make a certain character looked better. But like that was news. The overall was good if you skip around more. Then I just did a re-watch of recent and I found the ending unendurable. I swear, NOT picking on this BUT XAJH is technically my favorite (after DOMD) BUT TVB killed the ending. (YES, it was so dragging with them trying to make heroes out of the lamest characters.) It’s sooo sad that they never do a correct adaptation for this one OR the casting is so off. I don’t know if there will ever be one that actually does the novel justice, BUT even this version didn’t satisfy me. Despite awesome acting with some people. AND oh yeah, the song that became the drive for LCH’s journey was practically forgotten halfway through already. OR maybe a third way through. What the hell was that? Then I pulled myself together and reminded myself that at least it focused on jianghu related stuff more than on the soaps side (cough cough). Not to mention they didn’t cut out some of my favorite characters just to make room for some characters that only got 2-minute fame in the actual novel.

The Two Most Honorable Knights 1988 – Umm…the cast made it good. I don’t know. There wasn’t much to go on because they butchered the plot. Once again, Gu Long got robbed but what else was new, right? I hated the whole ‘merge in characters’ for some people. I heard the ’70s version was more accurate but I can’t be sure since I didn’t watch that yet. And there was also the whole thing with me not finishing the novel yet.

Vampire Expert II – Those traditional vampire capturing stories. Great stories of various sorts, but also included some comedies as well.

Where The Legend Begins – Only some people made it good. Yet it was an interesting take from the other side of the whole ‘three kingdoms’ stories.

Pre-Modern:

Au Revoir Shanghai – NOT because I liked most of the cast involved. That helped. But I thought it was well thought out. In fact, most Shanghai related series are good. I said ‘MOST’, NOT ‘all’.

Coincidentally – The first series that Frankie and Annie paired up together–despite the fact that they’ve been in several series together already.

Fist of Fury – It was awesome! One of those ATV classics.

Good Against Evil – I loved it. Not only because of Deric but how the plot seemed to have a mixture of mystery, comedy. etc.

Phoenix Rising – I was surprised to really enjoy this. A lot of gray areas come into play. And sometimes you really wonder if you should take some people’s words for it. Some were obvious, but others were hard to figure.

The Charm Beneath – One of those surprisingly good ones. Regardless of the cast. Or if the plot might be frustrating at times.

The Legend of Dragon Pearl – OMG, I didn’t expect to enjoy it so much. The comedy was mad and random, but it was really charming because of everyone’s acting. OR more like most people’s acting.

The Price of Greed – Despite some poor acting in place, the plot was really good. It had really carried out some chilling effects with all the plots and schemes.

The W Files – Sci-fi/detective/crime-solving one. Pretty cool actually since it addressed a mixture of cases that had to do with the phenomenon side.

Thou Shalt Not Cheat – OMG, it was a riot! Despite some frustrations here and there, the series was good overall. The comedy wasn’t too over either.

Modern:

A Great Way to Care – Ignore the somewhat lame title since it was overlooked somewhat because of that. I didn’t regret diving in though I had my initial doubts.

Black Heart, White Soul – Need I say more? It’s been a while since I enjoyed something so this one had to be placed in after I was done with the series.

Catch Me Now – One of the surprisingly good ones. YET the ending sort of killed it. But I guess it wasn’t the worst of them all when it was trying to kill the main character.

CIB Files – The only series ever that I could like Bowie Lam. (Don’t know why, just that he always seems to be intimidating regardless.) It was creative in the way it was shot at the beginning and led us into the story. The office dramas were reflected throughout and it was fun to see. Though the Wong Hei and Maggie Siu pairing was kind of odd but wasn’t the worst and was still cute in a way.

Cross Border Daddy – Inspirational one. NOT perfect since there were quite a few parts that could do without. Yet it turned out fine.

D.I.E. – The first one was enough. There were mixes of madness among other things since most characters were quite weird. Yet some of the foundations got ruined in the later parts, especially near the ending. But it was decent overall.

Family Man – I lost count on how many times I watched this already. Quite meaningful though not flawless. A good mixture of comedy and romance.

Forensic Heroes I & II – YES, I listed 2 as well because I still liked it despite it sacrificing some characters. The cases were all right.

Forensic Heroes III – MOST people were against it because of its link to the previous installments but it was really decent for a standalone series. There were glitches within the plot (like most TVB series) but it was NOT that terrible like some claimed.

Hearts of Fencing – A light-hearted, youth drama. Many might not care for it. But I thought it was worth watching if you want to reminisce about the old school days. AND for the first time, the ages of the students weren’t off since they used some fresh faces (at the time) to fit the roles.

Just Love II – It honestly was better than part 1 for some reason. Since the foundation was better with some clarifications. And perhaps I rather deal with Johnson’s Mr. 13 than some annoying ‘father-in-law’.

Last One Standing – Quite intense and mind games were involved. The deception and conspiracies from both sides were quite nerve-wracking at times. Yet worth it.

Life Art – Many will disagree since it seemed so average. Yet I felt it was one of those light-hearted ones. There were dramatic moments that the characters went through. But overall, it was really genuine.

Master of Play – Psychological theme, and other dark themes. Add in some more art. NOT everyone’s cup of tea, but it’s one of those that forces one to think about life in general and the choices people make (and much more).

My Date With A Vampire I, II, & III – YES, I’m the rare one who liked all three. Though there were parts that could do without and there were frustrations, I think I valued it for the story, the acting, and interesting interpretations at times. (LOL!)

Not Just A Pretty Face – Hilarious!

Odd Man Out – MOST people probably didn’t remember this or might not know of its existence. It was one of those nonsense comedies but didn’t go into the ‘lame’ boundary.

One Step Beyond – It was mad random and bordering on nonsensical at times. But it managed to capture some of the unpredictable at times.

Placebo Cure – I was surprised since I didn’t think much of it when it came out. But I checked it out anyway later.

Project Ji Xiang – I’m a sucker for those ghost-related ones. Not to mention it was a decent one overall with the plot NOT moving too fast or too slowly.

Reincarnated II – Didn’t watch the other version, and didn’t read the novel either, but enjoyed the series overall.

Seed of Hope – Loved it, very meaningful and not too much. Though I hated some of the ending stuff that happened to Kenix’s character, I tried to just erase that part for its traumatic effects. Patrick and Kenix also made an interesting pairing.

Shade Of Darkness – Ghost revenge type of series. Surprisingly interesting.

Speech of Silence – Another surprise.

Steps (aka The Whole City Is Dancing) – Steven & Bernice. AND Wayne. NOT the best since the ending sort of killed it. But decent overall.

The Brink of Law – Quite exciting and actually unpredictable at various points.

The Ghostbusters Gang – It was mixed with comedy and ghost-related stuff. But really nice to watch the cast battle it out at times.

The Hero From Shanghai – Good Gallen and Maggie collaboration. Didn’t realize they had so much chemistry and were quite cute together. There were also nice fighting scenes, lol.

The King of Yesterday and Tomorrow – Fun, time travel drama. Loved the cast and acting.

Tiger Cubs – Short and simple. The end.

When Heaven Burns – A major surprise for me. Many things I already mentioned in the review since I actually did a long one for the series, but it honestly was worth it. Some might not like it because of the ‘slow’ pace but I didn’t think it was slow at all. Sure, there were times that I got impatient but I was worried the ending would get ruined. But the details were essential for later parts.

Who Is The Killer – Old, but good overall.

Sitcoms:

Be My Guest – It was sooo long ago, but I remember loving it.

Off Peddar – Despite the fact that the ending ruined it, it was pretty good overall.

Welcome to the House – Some of the cast annoyed the world out of me, but the rest made up for it. And besides, it was mostly a senseless comedy so I didn’t really mind.

NOTE: This list will be updated from time to time. Also, the list is by alpha order AND not by significance. And this will also be included in the “Helpful + Fun Posts” in case anyone’s interested.

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‘Tis the Season to Celebrate

I saw it earlier already but didn’t put one up. After getting rid of the headache already, I’m in a celebrating mood.

Congrats to Wayne Lai for winning the 3rd time as ‘Best Actor’!

Also, congrats to Kenneth and Kate for winning the ‘Favorite Characters Awards’! When I saw their names, I automatically thought of Speech of Silence, which was funny. But pretty cool!

Oh yeah, Oscar and Mandy won for ‘most improved’ artists. (Though I felt they were fine before too SO I never get some of the winners for these categories as much. But that’s just me.)

Last BUT not least, a major “YAY!” for When Heaven Burns winning the best series!

(NOTE: I seriously don’t care IF anyone got ripped off or not. Trying to celebrate for my favorites here SO if you have any beef with TVB, don’t take it out on me. And wow, I just rhymed, lol.)

When Heaven Burns

I watched this one because my mom was looking for something serious to watch after all those sitcoms we were watching–among other comedies. First off, the title. I must admit that I was in objection of it when the title got changed from Heaven and Earth to When Heaven Burns but after having watched it, I could say that it suited the series quite well. Seriously, it was so intense and nerve-racking at various points so, in a way, it wasn’t too lame with changing the title. After all, the Chinese title was still Heaven and Earth, right? So how was it? Honestly, people who skipped it just missed a really good series. YES, that coming from me who has been ranting about recent series (and even got scolded for it on this blog). For once, I didn’t mind the repetitive team and/or group who contributed to this series. I meant not that I didn’t like the cast (okay, maybe for one or two persons), but I just got tired seeing them together all the time. I was curious so I tuned in along with my mom anyway. Yet I found it more enjoyable than I expected. People who thought that this series was dragging shouldn’t even give it another go because you already set an opinion, so don’t let me convince you and later come back to scold me. Because seriously, if you think this was dragging, I’m not sure what ‘dragging’ mean anyway. Sure, it was slow and passive at times, BUT it did not mean dragging. There were this underlying heaviness and intensity building up episode after episode until the breaking point that led to the mind buzzing mind games in the later half of the series. Don’t believe me? It’s okay. You don’t have to. And perhaps I don’t like over-hyped stuff so I enjoyed this series even more. Though the cast seemed to be promoted heavily of recent, the series did not aim to ‘shove it into your face’, or I didn’t get that feeling like they were trying to sell something. Maybe that was why it worked.

Moving on, like my usual reviews, I will place in the whole ‘cast/characters’ discussions–among other things. But will also include the ‘theme’ part this time around as well since I feel it’s essential and actually feel like discussing it more specifically for this series. However, I won’t include ‘couples/pairings’ this time around because I feel that wasn’t the point of the drama. YES, there was love spread into the drama at times, making things even more complicated with relationships. But that was just part of the small piece and I don’t want to get distracted with it for this one series.

Main Cast/Characters:

  • Charmaine Sheh as Hazel Yip Chi Yan (葉梓恩). A character worth watching after so many of her recent ‘goody two shoes’ ones. I mean I like to see her in those ‘nice and kind’ ones too. YET I felt she was getting rusty or would get there soon if she doesn’t take on any challenging role soon. Sure, the majority of the characters in here had to be quite serious as well. But I felt this one was a role that she won me over again with her portrayal. It wasn’t too much or too little. It was just right with her passiveness at times or her cold composure. She managed to capture those moments when Yan was hurting so much that she didn’t know where to turn to (aka all lost and confused). Then there was the whole not caring for the world attitude. There were so many complications in her life that she couldn’t handle, even turning to different means as an outlet–like senseless one-night stands or alcohol. I was really disturbed at first with how her character appeared to be cheating and all but somehow sympathized with her later with how her family was so broken and her being stuck in the past for so long that she was hurting herself and others around her. The worst part was not being able to pull out until later. But what I really liked about her character throughout was her stubbornness. Once she made a decision, she didn’t waver anymore. There was another thing that they (the scriptwriters) added to her character that I quite like, which was the whole deep thoughts and stories in her radio segments. I liked those narrations and it sort of set the tone for what was going on around them and how the guys–or other characters–would think it over as they listened to her segment. It was somewhat a narration or reflective moment at times when the scenes were happening around them but there was only her words to convey the message of those scenes–and the impact of what just happened.
    • Angel Chiang as the young Yan. Though she didn’t resemble Charmaine to be a younger version of Yan but she had the spunk and grace for the character. I really enjoyed her chemistry with the rest of the guys throughout as a band. Her bravery to fight against the guys at times was quite admirable as well. Maybe that was just her rebellious nature.
  • Moses Chan as Angus Sung Yee Long (宋以朗). After all those so-called ‘comedies’, he finally returned to the more serious roles as well. Mixed feelings at times actually. Maybe it was his intimidating image that had made the others believe he might have been the cause of their role in the Ka Ming conspiracy, BUT it wasn’t so. Perhaps Joe was right with his whole ‘drummer versus guitarist/lead singer’ theory/concept because that was what made Angus more suspicious out of the three of them. What was admirable of him–even IF that seemed like an excuse to like his character–was whoever he hurt, he didn’t hurt the people within his group of friends (aka among the four of them, i.e. Joe, Ronnie, and Yan). It was like he was compensating for what he’d done in the past hence leading a distorted life yet didn’t want to hurt the other three more than he already did. (Possibly that was the difference between him and Joe.) What made me not being able to forgive him, in the end, was sacrificing Jessica in order to get back at Ben (and eventually Joe). Did he have to do that? He probably thought so but that little act condemned him even more with his already life sentence (even if it wasn’t served in prison). SO Jessica had agreed to help him after confronting him BUT he should have considered it more, considering how Jessica had been so loyal to him throughout. (Or was he too blind with hatred and/or wanting to take revenge that he didn’t care? Not to mention how he was so close to winning.)
    • Yeung Chiu Hoi as the young Angus. Consistent enough. He looked less intimidating than his current self, of course, but for obvious reasons. However, there were always traces of the lack of confidence in him and the reluctance that was still present.
  • Bowie Lam as Joe Lau Chun Hung (劉俊雄). Was I the only one who got fooled by his character? Okay, so I was trying to put my biases past Bowie since I found his expressions were always so intimidating regardless of the roles he portrayed and thought I was being mean for picking on him. So I tried to focus on his character instead and what was going on around his character. YET I was wrong to think he was some poor guy who was trying to repent–with his wife not understanding him and even cheated on him. Sadly no. He was the most dangerous one out of the three. He was so charming in character and so manipulative in his words that made everyone felt they were in the wrong more than him. Often taking the blame and sounding like he was protecting the others yet he was just protecting himself by letting others think he was the victim. The part where he was telling Angus the reason why he picked up playing the drum really summed up his character. He told Angus that he used to think it was so cool being a guitarist and sing at the same time, having all the attention. However, he later realized that the drummer actually held the key to it all because the band had to follow the drummer’s rhythm or they would be all off (aka the drummer controlled all with forcing everyone to play fast or slow). Seriously, it really boiled down to him being able to control everything in front of him with his careful planning and patience throughout–and most of all his persuasive abilities.
    • Ronald Law as the young Joe. He managed to look as intimidating? LOL! I had no idea but I guess he was convincing as the younger version of Joe since there were signs present that showed how the current Joe hadn’t changed–with some flashbacks here and there.
    • Signs that Joe wasn’t all bad. AND NO, I’m not talking about the whole ‘facade’ he put up at times to deceive them–regardless of when he was younger or at times when he was older. I’m talking about when it was finally revealed that he was actually the most manipulative among the three guys. There were parts like him lying or trying to get through some sticky situations yet during his time alone, he would reconsider. Another time and more obvious was after Cloris’ death and him crying out in his office finally–while he was deleting her text messages to him.
  • Kenny Wong as Ronnie Cheng Chun Hin (鄭振軒). He started out as losing his memory and then recovering it slowly. We all hate the ‘memory loss’ card, right? But it made sense this time since he and the other two went through a near-death experience after all. Not to mention how he was traumatized along with the others during the whole incident. He struck first and planted the seed of evil. (YES, he was the one who stabbed Ka Ming first when Ka Ming was lying inside the tent resting.) But repented greatly later, wanting to pay for his sin. But wasn’t given the chance in that way. Instead, he paid for it with his eyes, and some more.
    • Kelvin Leung as the young Ronnie. Another good choice because he merged in quite well with Kenny’s portrayal because Ronnie seemed to me as always the passive one OR possibly the invisible one out of the three guys (aside from Ka Ming).

The reason why I only listed 4 as the main cast AND not like the other lists had indicated was because I felt the story revolved around those characters for the majority of the time and it took them to resolve all the conflicts as well.

Supporting Cast/Characters:

  • Ben Wong as Bowman. The reason why I put him first was sort of by order of appearance and somewhat because I’m biased (LOL). Anyway, he was actually somewhat my favorite character throughout despite his limited screen time. (Though acceptable since I felt he contributed to the story with tying in different characters and moving the story forward but didn’t need to be ‘in your face’ to get the point across.) I felt so bad for him at the beginning since he was just part of the whole charade that Yan was putting up for herself, wanting to find replacements for her past (and more specifically for Ka Ming). But then I had somewhat forgiven Yan for deceiving him. Though that didn’t mean I like him less because I found him very genuine, not tainted by all the things around them. Ben had made that happened with his portrayal–regardless of the amount of screen time he had. In a way, I was glad he got a new start later–after Yan finally sorted out her mind (for good). (Side-note: My mom actually wanted to see Ben portray Kenny’s character instead YET I had convinced her it wasn’t a good idea because that would mean he was part of the ‘cannibalism’ conspiracy. LOL! NOT that anyone was being sacrificed in the events of shooting the drama but those types of characters were disturbing still, LOL!)
  • Maggie Siu as Emma. One of Maggie’s couldn’t care less roles? I don’t know. It seemed like it didn’t fit her. I had a hard time imagining Emma so dumb, mostly due to Maggie. NOT that I doubt her acting in the past, but this time it seemed weird. I don’t know what happened. But it was like she was uncomfortable with the role? I enjoyed her chemistry with Moses when they were shown as a somewhat cute couple at first. Yet it all crumbled in the later events (mostly due to the story), but I also had a hard time with her character being that naive. But I guess her character wasn’t too unbelievable since she was so sheltered by her sister and how she sort of depended heavily on her sister to look after the family business so she didn’t have to worry about other stuff.
  • Astrid Chan as Gina. I had mixed feelings for her throughout the series but I let go of certain judgments later on because I felt she was another victim in this whole web of lies and other deception games. So she chose to stick around and continue with her role but I felt she was so given a bad image or seemed to reflect so in front of the others at the beginning because her husband was so good at acting that she had been pushed to become the ‘bad person’. Astrid didn’t fail to deliver her emotions throughout, projecting her image–or what we were led into believing–and the actual tormenting turmoils she went through later on.
    • Joey Mak as the young Gina. Good casting actually since she somewhat resembled Astrid. OR did they do the make up that way and somewhat of the hairstyle too? Not sure but she did manage to show consistency in the character.
  • Felix Lok as Dr. Ivan Wong. At first, I found him too despicable because of the affair he was involved in. But I sort of pity him later. Just slightly. Or perhaps I wasn’t so judging of him anymore. A minimal role for Felix but he played a key role in the end. Somewhat, but it wasn’t like he needed to prove himself.
  • Angela Tong as Shirley. Ronnie’s wife. I was arguing with my mom whether her character accepted Ronnie regardless if her husband had once eaten someone OR if she was too traumatized and didn’t want to believe. YET I had to wonder in the later parts of the plot after things cooled down. YES, she relied on her husband the majority of the time. But let that slide as well? Do people just accept things just like that? (I meant cannibalism isn’t like shop-lifting. Sure, both could be repeated BUT shop-lifting dealt with the store’s possession versus a human being.) Regardless of the ambiguous of her character, I thought Angela did quite well with conveying all the torn feelings she’d gone through. AND no, I’m not saying it’s unrealistic with her character, just felt that it was worth some thinking with her point of views–and how it was a different sort of reaction from the other female population in here. AND yet it made one really think about human nature–and whether one chooses to accept or to dodge.
  • Queenie Chu as Jessica. I think she was the most pitiful in here. Some could argue that she got what she deserved because she aided Angus in deceiving Emma–and possibly others. YET I felt she had always been loyal to Angus and only loved him hence it was too cruel to see her being sacrificed as his final pawn. The scene with her and Angus at the music store was quite touching. She didn’t ask for anything extraordinary–and had never asked for more, except for him to play a song for her one last time. Indeed, she was right that Angus was the most truthful or real when he was playing his music. The other thing about her that made it even sadder was how she was a replacement for Yan at first (could be seen through various points of when Angus was playing the guitar at the shop and saw Yan sitting there instead of the actual Jessica) and gradually earning a place in Angus’ heart with how he finally took the hint to be more attentive to her (mostly through Ben’s urging BUT Angus began to open his eyes to see Jessica for herself, not as a Yan who he could never be with), like how he was giving her the birthday gift (aka his necklace) to symbolize her importance in his heart. Yet it was just too late for them when he pulled the final card (i.e. sacrificing her as well) and perhaps that little scene with him playing the guitar for Emma (and actually picturing both Yan and Jessica) made it somewhat forgivable for him? NOT like completely forgivable but like how she finally earned a spot in his heart. Anyway, another different role for Queenie and I think she nailed it.
  • Cheung Kwok Keung as Ben. He got robbed. NOT the character, but CKK. Personal opinions here since seeing him in these types of roles just make me want to cry because I imagine him all so powerful in some of his previous roles. (One of the most memorable was in No. 8 Bus.) Anyway, he didn’t fail to deliver with convincing us he was this despicable character who betrayed his boss again and again. Yet I felt it was kind of lame that they had him playing the harmonica and trying to seek sympathy from Jessica in the end. I swear it was a bit over-killed with linking everyone to music–one way or another, but I will let it slide. (Like I could do anything anyway.)
  • Lau Dan as Uncle Chuen. Had some major scenes at the beginning but still didn’t lack in importance later on. It was his mission to help Joe repent from his past wrongdoings, and he made it his responsibility to bring Joe back to the correct path near the end as well. Yet it was too late. Or was it? AND do I need to say anything else about his acting? Convincing as always.
  • Cindy Lee as Cloris. Also a pawn in here and this had to do with Joe. Yet I can’t feel any pity for her though I was shocked by her death. I meant, okay her final moments were really worrisome and tragic, and I know I’m heartless to not pity her. But she had it coming. She criticized and chastised Gina at the beginning for cheating on Joe YET she ended up helping Joe cheat on Gina? Love’s blind YET she had it coming. The reason I was shocked, of course, was I didn’t expect her to die. I would expect the usual seeking out Gina later to confront Gina or would just go crazy, not death. Though her ending indeed made an impact on Joe when he broke down while deleting her messages. (As mentioned earlier.)
  • Elaine Jin as Brenda. She was an interesting character at first because of her mysterious nature with possibly being the only one to overthrow Angus. YET I lost interest in her character after she fell into Joe’s trap as well. WHAT? I don’t care if they were having an affair either since I was used to Joe’s manipulation already. But what I was disappointed at was seeing how she fall into his trap so easily. Or was she just letting go and using him to enjoy her remaining days? Another way to look at it though was emphasizing Joe’s ability to manipulate–even the most cunning person in here (at least from the female side).
  • Chan Hung Lit as George. His second last role and he got this? How memorable. NOT. But anyway, to be honest, he did quite well (OF COURSE) and I think it got cut off because of the inevitable? NOT SURE. But it wasn’t too lame in covering the tracks because he might as well just disappear though he was sent on a mission to uncover Angus’ secrets elsewhere. (Though I shouldn’t even blame anyone or be mean about it since no one knew this one was his second-last role, right?)
  • Tsui Wing as Arthur. I really, really hated him at first (equally as Yan so don’t worry about me picking on just the guy) but later, I was like whatever. And TW showed us another side of him in here with this role.
  • Andy Dai as Sam. The minute I heard ‘Sam’, it reminded me of his role in this old series called Exchanging Couples (OR something like that), because he was also named Sam in there (and the fact that his wife/later ex-wife in there worked at a radio station as well made it even more familiar). He was quite funny in here. So he was trying to be serious and at times appearing quite arrogant–as most bosses were allowed to. But it made it even funnier that he thought they were supposed to worship him yet they were just conning him at times.
  • Joe Junior as Dr. Dylan. The person driving the whole ‘rock and roll’ theme forward in here. Though the rest of them were there with their goth look and all, I thought it wouldn’t be the same without his recounts of past events and his passionate talks about ‘rock and roll’ from time to time. They definitely needed a respected elder to point them in the right direction or telling them to go with the music, etc. His talk about life wasn’t cheesy either but it made sense, incorporating into the overall theme itself.
  • Rachel Kan as Daisy. Sort of a double-faced person, but I don’t blame her since she was quite witty with her comments (even if it was mostly through sarcasm). And the other reason for being bitter was having to cover for Emma just because Sam wanted to score points with Emma.
  • Catherine Chau as Mabel. Almost didn’t recognize her. Maybe it was because of the image. It was all right I guess, fitting in with her character and making her sort of wild along with the other two. It was kind of random that she got together with Arthur at one point (since Arthur claimed to really love Yan, so much for it).
  • Stanley Cheung as Hui Ka Ming (許家明). The unfortunate guy that got eaten by Angus, Joe, and Ronnie. I put him last on purpose (AND YES to make a point). Was this what they called the weakest link? He was really kind-hearted and down to earth from those flashbacks.

Themes:

  • Cannibalism. YES, I placed this first because that was the ‘advertised’ theme at the beginning–even before the actual filming took place. It was just a small part of the story but had a really big impact. Because they only showed a bit of it at the beginning and a more graphic (IF could be called ‘graphic’ at all) scene later on when the truth finally unfolded. But they didn’t dwell on it. They moved on to the ‘forgiving’ part and the whole ‘repenting’ part. Or what could be called an attempt to heal–if at all.
  • Friendship. It was all over the place in here. Yet it was real. Besides, what’s the right way to be friends anyway, right? What I mean is those random times between Hazel and her co-workers versus what she would do with the other three guys.
  • Black/White. The morality in here was also quite scattered but understandable. Yet it had made its point that life was more about the grayness of it all more than establishing boundaries. Sure, people could put up boundaries all they want YET the outcome when those things happened was different. In short, you don’t know what you would do until the actual moment. ‘What ifs’ could not measure the real impact anyway.
  • Rock and Roll. The reason for the whole goth look throughout the series with the majority. And at first, I felt it would be too wannabe with seeing them trying to fit in and act like they were caring about ‘rock and roll’. BUT it wasn’t so. I was so glad that they made it so natural with different characters talking about ‘rock and roll’ but tied it in with the whole story. They weren’t trying too hard either (for once).

Favorites: Basically, I like the whole series–regardless of how random it got at times but it made sense and let us explore the characters even more. But there are other things I want to focus on as well.

  • Dark. I guess what made the whole thing worked was its goth nature and how it didn’t manage to crank the hype up by throwing in some other things. It appeared boring (to some people) and passive, but it was like they were waiting for that dark curtain to lift and free them all. The darkness of it all (NOT literally but could be) allowed for a wider range of exploration–whether through the mind or other types of interactions.
  • Consistent. I’m talking about both the consistency in personalities for the characters who had a younger version of themselves in here, and of the storyline itself as an overall. It was a bonus of a so-called ‘slow’ series because it covered most of the tracks with its flow. It was never too fast or too slow but drove the point loud and clear in the end.
  • Filming Technique. I was surprised and somewhat blew away by how it was filmed with merging the two worlds into the story–back and forth–throughout the whole story. I will admit that it was a bit confusing at first but I got used to it later and really liked how they used the past as bits and pieces of the puzzles–until they reached the end. Awesome indeed.
  • Karma’s Kick. Chills literally ran down my back when the mother of that kid call out his name, telling him to apologize to Gina in the hospital. I must admit I was soooo scared that the ending would be corny and cheesy with everyone getting together singing a ‘Barney song’. (SORRY, inside joke if you know what I mean.) But it wasn’t so. NOT that I’m the type that wants to see deaths left and right. In fact, I’m more peace-loving than I let on at times. But what I felt throughout the series was the intensity that reeked so strongly as each episode went by, so how could they mend things just like that? Yet when Joe died, I only felt okay so one of the bad guys died, and indeed it was because of his own doing. Not to mention it was too late to return. But it wasn’t so. It was until the kid’s mother called his name (also Ka Ming like their friend Ka Ming), it totally went over my head and really made it more complicated in a way. In fact, it was really the writer’s intention because Gina had literally stopped in shock and finally realized it was really karma getting her husband, NOT just because he died saving a kid. YES, there was something inside him (something still good in there though he had claimed it was too late) that insisted that he wasn’t all bad. He even made an effort to buy his wife a gift for their upcoming anniversary, and then the obvious with him wanting to save the kid the instant he saw the kid wandering out in the street. But it was like the time to pay his debt had arrived. What about the other guys? Ronnie lost his vision and had to face the authorities regarding the case involving Joe. The final question that the investigating detective had asked Angus upon his departure was if Angus had felt lucky that he had gotten away for what all three of them had done. But Angus had replied, “How would you know I’m not facing my own punishment?” Indeed, Angus’ punishment was never seeing Yan again because she had claimed that she would leave and would never come back. That was on the surface though because I seriously think that Angus had already paid somewhat for his betrayal to Ka Ming. Why? Yan had stabbed him that one time at the apartment where they used to gather and practice their music after learning the truth version as to what really happened to Ka Ming–and Yan. Then she came back–as if having forgiven him already. (Yeah, call me superstitious but I sort of want to elaborate on that little possibility as some of the details were relevant to the story.) That was why Angus received the lightest punishment physically. (And personally, I think the reason why Angus got the lightest punishment was because he never intended or really agreed to their actions at first with Joe trying to convince him, pulling him out of the tent to talk about it since Joe was saying Ka Ming would die anyway. Then before they knew it, Ronnie had already stabbed Ka Ming–and they just went ahead with the plan. Perhaps Angus’ reluctance at first and his deep regret later made it more pitiful? Sure, he participated in different schemes later on and wasn’t so ‘good’ anyway, but before Ronnie recovered his memory, between the two of them, Angus had shown more regrets among them all, knowing he was already marked to pay a debt.) Emotionally, all three would always be scarred with what they did–regardless. Though I think Joe had finally got his release from it all, because usually, the ones staying behind are the ones who have to face with the cruel truth–no matter how they try to repent themselves.
  • Full circle. I almost forgot about this but it was the scene where Yan saw a group of five going into the apartment building where they once practiced at and found Angus renting the apartment out to the five teenagers. Life was full of both the expected and unexpected. Yet it seemed familiar with how they once started out.
  • Alternate Ending. Most of us probably hate alternate endings, but I thought this one was well planned and well-executed. Maybe because of the ‘what if’ concept and not the actual thing with TVB playing us, saying it didn’t happen, they were doing the ‘what if’ at the beginning. (LOL, that would suck big time because they did put us through so much since the beginning.) And the most unexpected thing (but made sense) was it was Yan who held the key to it all if their lives had been different. Why? It was revealed when Yan was walking to the bus stop at the end that “if she had turned around, Ka Ming wouldn’t leave with the guys to the mountains” thus their lives leading toward a normality–with everyone not suffering from endless guilt ’til the end. Then there was also the possibilities of the other people’s lives like how Emma would’ve gotten married to that one lawyer guy, Angus might have started something with Jessica, etc. And one day, just like the scene showed with them reuniting to sing and enjoy their music once in a while. But to get back to Yan and her decision, maybe that was why she tortured herself, indulging in guilt all these years? She was blaming herself more than anyone because if she had turned around, then Ka Ming wouldn’t leave. But it was too much to take so she had chosen to blame it on the others and severed her ties from them rather than confronting her own demons. SURE, the others were at fault for making that decision, but it was from her own take that she could’ve made a difference if she didn’t leave. Interesting take indeed.
  • The sub-theme song. At first, I was like ‘whatever’ since I didn’t like the three guys’ singing too much. How wrong I was. Because I actually liked it a lot more when the last two episodes came around. Because at that point, it made sense. Though some earlier episode showed them composing it together that one night. But I still thought it would be one of those moments and then they were back to scheming again. That was it. Yet the song finally came into importance when they finally reunited on stage and performed together with their counterparts. (And just for clarification, for the relevancy of the story, the characters wrote it BUT in real life, some of the talented musicians/lyricists had made it happen. Go here for the translations from llwy12.) Oh yeah, for some weird reason, when they sang onstage like that, it seemed to be the live version? (Like it wasn’t obvious with the stage setup but at times nowadays, we wouldn’t know if they just sync in the studio version.) Or was it? I wasn’t sure but it sounded different from how it was in the sub-theme.

On a concluding note, I must give this series a ‘one of the best of 2011’ label. This actually deserved to be on a mantel for once. This really put the ‘quality’ part back into some of the recent TVB productions. YET if people are just looking for some ‘excitement’, better skip it. Because this wasn’t another ‘hype-up’ series trying to draw in viewers just for the sake of it. But about a journey all of us must go through in life, accepting things, reflecting on things, forgiving or not forgiving, etc. In short, it was the explorations of the mind and heart.