Just when I thought The Maverick was the worst of the ’80s classics, I was wrong. This sort of took the trophy from the other one. Why was it the worst? I swear, it started out interesting enough with a team of women kicking asses and carrying out righteous acts. Yet it deteriorated after the initial scenes, making them victims and eventually devaluing their cause. I’ll go into more detail later.
- Angie Chiu (趙雅芝) as Mu Lan Hua (木蘭花). This was possibly my second favorite role of Angie–if only it didn’t deteriorate. It wasn’t her fault. She tried her best, but the plot sort of went against her, letting her become a pathetic victim later, not allowing her to soar higher than that. I thought she was awesome and was smart in concealing her identity. Yet the scriptwriters just had to make her lesser than some other people in here–just because they were trying to create the illusion that the villain was worse. I know, duh, villains were supposed to be bad. But honestly, if they didn’t knock the major characters’ IQ down several pegs, they couldn’t make it look like the villains were smart. The final trap proved her capabilities and intelligence once again, but I wished the plot didn’t knock her down and dragged it through the mud before restoring her character. It was seriously frustrating.
- Sharon Yeung (楊盼盼) as Mu Xiu Zhen (木秀珍) aka Mu Mian Hua (木棉花). I thought I was going to really like this character of Sharon. In fact, I did at the beginning. She was a bit hot-headed/impulsive at the beginning, which I thought was kinda cute since she was still young after all–and it made the whole bickering with their nanny funnier. Yet that also passed and I realized the scriptwriters were just trying to knock her down–like how they made Angie weak later. With her, it was her impulsive behaviors and then her IQ wasn’t improving at all, but it had gone down to the point of frustrating. I liked that Sharon got to be the kicking ass superwoman since I’d often seen her in roles where she was always suffering through tragedies so she cried a lot in those (even if she did have fighting scenes or tried to prove herself)–with the exception of her martial arts movies. I thought I was going to enjoy seeing her being awesome, but was totally disappointed by how her character turned out.
- Kenneth Tsang (曾江) as Cheng Wu Hui (程無悔). Despite the flaw in the plot, I thought Kenneth delivered–like how Angie and Sharon had tried with theirs. He was my favorite character from the start since his identity was a mystery and how he was being hunted by the assassins. Yes, we knew he was a friend of the family of the Mu’s, but that was it. He didn’t have any other identity. The details unfolding was nice enough, allowing us to see more into his world and his personalities. He wasn’t afraid to cut corners, considering how the world was back then. What disturbed me greatly was his infatuation toward Lan Hua. Okay, it wasn’t impossible and I had rooted for older man and younger woman relationships before, but this was different. He was indeed a friend of the family and sort of like her uncle (in a sense of comparing him to her father). Aside from that, it sort of knocked down his character for me a bit, considering how I thought he was a good guidance for both sisters in such chaotic time. Did the scriptwriters had to go there to be so controversial?
- Melvin Wong (黃錦燊) as Gao Xiang (高翔) aka Di Qiu (地球). I liked him, but I felt they had him appeared to knock the Mu sisters down thus rendering their roles useless. I swear. It wasn’t like I needed the sisters to be perfect, but I felt they (the scriptwriters) had to knock the sisters down, not allowing them to excel so we could see Gao Xiang’s awesomeness or something. He was mysterious and funny in his own way. Yet can’t they just have him and the other two going against each other (as relevant one point of the story) with their talents matching or something instead of making it like the other two needed his rescue all the time? Although there were times Lan Hua helped him too, I felt his character was untouchable (well, until later, lol) to the point that the other two just looked pathetic, waiting to be rescued.
- Cheung Kwok Keung (張國強) as Yun Cheng Feng (雲乘風). This was probably one of his major roles back then? It was either that or I didn’t watch the right dramas back then. But I was surprised that he got a major role in here. I thought he would become a side character since he wasn’t around much at the beginning and was fading into the back. Yet he got pulled forward because the focus on his family became more apparent. He delivered with whatever he had to work with and I felt he was one of the true victims of the story, considering how he was stuck in the conflicts and all.
- Susanna Kwan (關菊英) as Yun Zhao Yi (雲昭儀). She sure was ambitious in her plans. It was somewhat hilarious that she thought she was going to win in the battle of power with her father. She thought he was weak yet she had no idea. But what got me irked was how I was reminded each time a woman was displaying ambitious nature, they were immediately labeled as the bad woman. It was like they (the scriptwriters) needed to tell us that women should be victims/weak/obedient to be good or something. Sure, I understand Zhao Yi’s lust for power and wanting to overthrow her father and it wasn’t impossible that she was so scheming, not caring about family and all. Yet it was a typical pattern of TVB to make ambitious women out to be the bad ones in the end so I couldn’t just let it go.
- Peter Yang (楊群) as Yun Tian Peng (雲天鵬) aka the real Tai Yang (太陽). I knew he wasn’t just in to play some pathetic old man. Didn’t mean for it to come out that way, but the plot paved it that way for him, with his daughter conspiring against him and all. Then there was the whole sickness and hospital scenes. It was an elaborate trap all right. I didn’t doubt his cruelty since he represented a part of a major crime organization. What he underestimated was Lan Hua’s recovery and how she was able to put aside her feelings and create a final trap for him.
- Kwan Hoi San (關海山) as Tai Yang (太陽). He was fierce and calculating enough to be the leader. Yet that was also a front for others to underestimate Yun Tian Peng. He also became a pawn for Yun’s final scheme after all. Great performance from him like always, even if short-lived.
- Paul Chun (秦沛) as Huo Xing (火星). I thought he was going to be around until the end yet it wasn’t so. He also became another chess piece along the way. I was disappointed that he wasn’t that smart. I thought he knew better. It was sort of anti-climatic to have him gone so soon. But perhaps that created the mystery of what was next?
- Cheung Ying Choi ( 張英才) as Mu Yi Long (木一龍). He was in here for a short time. He was another true victim of all the chaos. But what I thought was really fake of how the scene was laid out after his death. It wasn’t convincing and I thought it might be something else with how he was already saved and was just at some other place. Then I was reminded of that TVB probably didn’t want to get too graphic with the whole explosion scenes and the aftermaths.
- Lam Tin (藍天) as Long Kun (龍坤). He was probably the most despicable in here, even comparing to Yun Tian Peng. He betrayed everyone around him and was really only out for himself. Even though he was exposed and punished later, but I felt it wasn’t enough. He’d done so much damage throughout.
- Chun Wong (秦煌) as Cao Te Hua (曹特華). He was funny for me at the beginning and annoying in the later parts yet somehow managed to compensate himself for the ending. It wasn’t much of a role but I guessed he had to be there since he was relevant for the ending parts.
- Lee Kwok Lun (李國麟) as Cop. He only appeared from time to time or more like most of the first few episodes. It was just fun to see a familiar face in here. Not much.
Questions/ Discussions/ Frustrations:
- TVB seriously DO NOT know how to write strong female characters. I think I watched enough TVB series to get this out there. YES, I do know the time period that was in the story and it made sense that women didn’t get to make much of an impact during those times. But this was after all a story focusing on the strong female characters so why can’t they just stretch it a bit and make them awesome all the way instead of devaluing them like that? Like I said in the other part, I didn’t mind that Xiu Zhen was impulsive since it was kind of funny at first–and I initially thought she was just impatient and more for actions than talks. Yet the story just made her character worse and worse by enhancing her impulsiveness tenfold. In fact, it had stepped into the stupidity territory, which caused deaths or other consequences along the way. Okay, with some other series, the main lead might or might not have caused some deaths or consequences at the beginning too, but they somehow grow later. What has Xiu Zhen grown into? A total bitch? I don’t usually use that kind of language. But I couldn’t take it anymore with how her character turned out. Not to mention how strong personality type of character DO NOT mean that they were always loud and brainless. Did TVB have anyone to consult with regarding people’s personalities? I got it that she could be lively and smart too, not too boring. But seriously, Xiu Zhen was a complete idiot by the end of the story. Or should I rephrase and ask if TVB know that people could be lively and intelligent too, not a loud-mouth without a brain? Then there was Lan Hua, the smarter and sensible of the two. However, she was knocked down (like said before) when Gao Xiang appeared. Sure, they did have some battles of wit along the way yet it seemed like Gao Xiang was always one step ahead. (Okay, I don’t want to make it petty by turning it into a “men vs. women” kind of thing, but the plot laid it out that way with their competitions at the beginning.) I would like it better that they match wit-per-wit or something. It seemed that way on the surface at times, but it was obvious Gao Xiang was the stronger one. It made sense because he was more experienced than them and was actually one of the members in that mysterious organization that they were trying to investigate, but again, please stick to the theme of the series. Not only did they knock Lan Hua down, but also made her a complete victim halfway through and then somehow restoring her character at the end for the final battle. I totally understand her breakdowns during the times when she thought Gao Xiang was dead and when he was really dead, but I didn’t like it that she was soooo trusting of Yun Tian Peng. I had a feeling she wasn’t just the type to just plain lean into others just because they were there. She proved her capabilities and how she managed to keep her distance and had outright told Cheng Wu Hui about her feelings (or lack of) toward him. Once again, I got it that Yun Tian Peng was scheming and manipulative, so careful and all and so easy to trust, but seriously?
- The disturbing matches? I don’t know what to call it really but it was the whole idea of it was all right that somehow Lan Hua ended up with Yun Tian Peng. Hello, there was an actual wedding with others attending so happily. Seriously? I don’t know how that was even acceptable. Like Xiu Zhen was with Cheng Feng already so Yun Tian Peng was her father-in-law. Yet it was all right that her sister married her father-in-law? What? Even before Lan Hua learned of Yun Tian Peng’s true identity as Tai Yang, she was seriously all right with it too. I swear it was sooo messed up. It wasn’t about her forgoing with the revenge plot either. She was fine with it. Like I thought she would only apologize for misunderstanding him that one time Cheng Wu Hui brought to her attention about some suspicious details that he might be involved with Gao Xiang’s death YET she had to go one more step to give him the sweater she knitted. (That time, Yun Tian Peng used trickery to get out of it and eventually dissolved the misunderstanding just like that.) What? That was a grand gesture and indicated something else. Tell me I’m not the only one wanting to puke if it were to go through otherwise.
Recommended? If you don’t want to think but just watch, go ahead. If you’re fine with these types of dramas, go ahead.