It has been a long time since I watched anything relating to Ming Dao. But it was only one episode so I thought I gave it a go. Then I realize there were also some others in here that I enjoyed so the better. How was it? It was interesting, to say the least. It was confusing at first with some of the sequences and events going on. However, I got used to the style.
Anyway, this telemovie reminded me of why Zhang Chen Guang is my all-time favorite Taiwanese actor. Each time he tried a new role, he always managed to impress. It was amazing to see how he acted out various scenes. The length of the drama didn’t mean it lacked depth because there was plenty of time for the development of characters and plot. In fact, because of the short length, it allowed for some of the crucial elements to come into play, instead of plugging in some unnecessary details over and over again in a longer drama.
Phoenix Chang was awesome as well in her performance. She totally brought out the many sides of her character in here. Her suffering was done alone for the most part, but out in the world, she covered it all up. Until she wasn’t able to take it anymore. Talking about that, the drama really covered the differences in how people cope through loss. Some cried it out, some just didn’t cry. Or was too numbed or tried to distract themselves with other stuff. It didn’t mean that one way or another was wrong. It was how they were. So who was to say that either party was wrong?
The theme of cheating was also covered in this drama. Although cheating had been done so many times in past dramas, this time, it brought us toward a different direction. I thought it was well done. There were too many complications going on. There were the wonderful feelings of past memories, but then came those feelings of betrayal, resentment, and much more.
I think that people who like happy dramas shouldn’t watch. Because you might be disappointed. Do not watch either if you think Ming Dao would be a big part of this. Well, he was in a sense, because his character held a key in the story–and he did quite well alongside the other veteran stars. However, he didn’t appear as much because this was definitely the stage for Phoenix Chang and Zhang Chen Guang. This a great drama with the theme of reflection and other elements of life.
Yes, I had to quit Facebook to watch faster, lol. I was slower last year with putting it up because I got discouraged with watching after being spoiled, lol. Anyway, congrats to all the winners!
Best Art and Design – Presented by Ming Dao and Janet:
You Jia Shi, Huang Jian Hao, Wu Jin Wei, Cai Can En, Chen Shu Lin (尤佳施、黃健豪、吳進偉、蔡燦恩、陳淑琳) – World’s Top Chinese Music (全球中文音樂榜上榜) (TVBS)
Yao Guo Zhen and Figaro Ceng (姚國禎、曾少宗) – Maidenology (許涼涼與她的少女們)
Chen Wei Zhong (陳韋中) – Freak Family (超級夥伴) Chen Jia Sheng (陳嘉晟) – Brave Forward (新丁花開)
Liao Bing (廖秉怡) – A Corner (一個角落)
Best Film Editing – Presented by Hu Gua, Ah Xiang, and Hao Zi:
Lin Xin Min and Zhou Wen Qin (林欣民、周文欽) – Taiwan to the World: Island of Fish: Promise Fish (綻放真台灣5–魚之島：黑潮的承諾)
Nian Li Wen (粘瓈文) – Discovery (台灣製造大解密)
Nian Li Wen and Lin Xin Min (粘瓈文、林欣民) – Taiwan to the World: Island of Fish: Taste of Fish (綻放真台灣5–魚之島：台灣好吃魚)
Lai Meng Jie (賴孟傑) – Freak Family (超級夥伴) (Videoland Television Network)
Su Pei Yi (蘇珮儀) – Rainbow Fairy (尋物少女)
Best Lighting – Presented by Zeng Guo Cheng and Fang Fang Fang:
Li Yuan Yue (李元嶽) – Go Music 3 (音樂萬萬歲3) (PTS)
Xu Shi Ming (許世明) – Mr. Right Wanted (徵婚啟事)
Dong Chong An (董崇安) – Angel’s Voice Recorder (天使的收音機)
Xie Han Yang (謝漢諹) – Brave Forward (新丁花開) Zhong Qiong Ting (鍾瓊婷) – Probing Worries (偷窺心事) (PTS’ Life Story Collection)
Best Supporting Actress – Mini-series/ Tele-movies – Presented by Zhong Xin Ling and Lin Mei Xiu:
Momo Wu (吳若湄) – Angel’s Voice Recorder (天使的收音機)
Vivi Lee (李維維) – A Corner (一個角落) (CTI) Chen Qiu Zhen (陳秋貞) – Let The Sunshine In (浪子單飛)
Xie Ying Xuan (謝盈萱) – Wake Up (麻醉風暴)
Best Sound Editing – Presented by Zhu Ke Liang and (?):
Li Chun Xiong, Lin Jie, Xia Jing Chun, and Xie Zong Jie (李春雄、林潔、夏敬淳、謝宗杰) – Brave Forward (新丁花開)
Yu Zheng Xian (余政憲) – Angel’s Voice Recorder (天使的收音機)
Hong Zi Wei (洪梓為) – 1 Carat’s Roommate (一克拉的室友) (PTS’ Life Story Collection)
Chen Fei Wu and Shen Zhi Peng (陳飛午、沈志朋) – Taiwan to the World: Island of Fish: Taste of Fish (綻放真台灣5–魚之島：台灣好吃魚) Jiang Zhen Dao, Xu Lan Ting, Chen Wei Jun, You Wan Shen (蔣震道、徐嵐婷、陳惟君、游寓紳) – Freak Family (超級夥伴)
Best Supporting Actor – Mini-series/ Tele-movies – Presented by Zhu Ke Liang and (?): Chris Wu (吳慷仁) – Wake Up (麻醉風暴)
Mason Lee (李淳) – Love’s End Point (愛情的盡頭)
Michael Huang (黃仲崑) – Wake Up (麻醉風暴)
Xi Xiang (喜翔) – God of Love Karaoke (愛神卡拉OK) (PTS’ Life Story Collection)
Wen Cheng Lin (溫乘麟) – Mother’s Practiced Tune (母親練習曲)
Best Leading Actor – Mini-series/ Tele-movies – Presented by Zhu Ke Liang and (?):
Easton Dong (東明相) – Angel’s Voice Recorder (天使的收音機) Kaiser Chuang (莊凱勛) – The Road Home (回家路上)
Kaiser Chuang (莊凱勛) – On A Journey (出遊) (PTS’ Student Life Story Collection)
Jag Huang (黃健瑋) – Wake Up (麻醉風暴)
Huang Deng Hui (黃鐙輝) – Let The Sunshine In (浪子單飛)
Best Cinematography – Presented by Zhang Fei and Ruby Lin:
Li Ming (李鳴) – Rainbow Fairy (尋物少女) (CTI)
Zhou Wen Qin, Zhang Wei Zhi, and Liang Yi Yang (周文欽、張緯誌、梁義洋) – Taiwan to the World: Island of Fish: Promise Fish (綻放真台灣5–魚之島：黑潮的承諾) Hu Wu Zheng (胡午正) – Brave Forward (新丁花開)
Feng Xin Hua (馮信華) – Angel’s Voice Recorder (天使的收音機)
Huang Pei Li, Hu Guo wei, Xie Zheng Feng, Du Li Ren, and Liang Yong Guang (黃培理、胡國偉、謝政峰、杜立仁、梁勇光) – Slow Travel Adventures (浩克慢遊) (PTS)
Best Screenwriter/ Script – Tele-movies – Presented by Zhang Fei and Ruby Lin:
Yu Wei Shan (于瑋珊) – The Kids (小孩)
Chen Yi Ru (陳怡儒) – On A Journey (出遊)
Zhang Qi En (張綺恩) – Angel’s Voice Recorder (天使的收音機) Huang Jian Ming and Wang Hui Zhu (黃建銘、王卉竺) – Wake Up (麻醉風暴)
Cai Yi Deng (蔡沂澄) – The Road Home (回家路上)
Best Leading Actress – Min-series/ Tele-movies – Presented by Zhang Fei and Ruby Lin:
Mei Fang (梅芳) – Water’s Origin (水源地) (PTS’ Life Story Collection)
Jenny Wen (溫貞菱) – The Kids (小孩)
Megan Lai (賴雅妍) – Love’s End Point (愛情的盡頭) (PTS’ Life Story Collection) Yan Yi Wen (嚴藝文) – Angel’s Voice Recorder (天使的收音機)
Yan Yi Wen (嚴藝文) – Mother’s Practiced Tune (母親練習曲) (PTS’ Life Story Collection)
Best Director – Mini-series/ Tele-movies – Presented by Ye Quan Zhen and (?):
Yu Wei Shan (于瑋珊) – The Kids (小孩)
Wang Chuan Zong (王傳宗) – Angel’s Voice Recorder (天使的收音機)
Xu Rong Rong (許榕容) – Let The Sunshine In (浪子單飛)
Liao Shi Han (廖士涵) – The Road Home (回家路上) Aozaru Shiao (蕭力修) – Wake Up (麻醉風暴)
Best Mini-series/ Tele-movies – Presented by Ye Quan Zhen and (?):
PTS’ Life Story Collection – The Kids (小孩)
PTS’ Life Story Collection – Angel’s Voice Recorder (天使的收音機)
PTS’ Life Story Collection – The Road Home (回家路上)
PTS’ Life Story Collection – Let The Sunshine In (浪子單飛) Wake Up (麻醉風暴) (PTS)
Best Screenwriter/ Script – Drama – Presented by Blue Lan and (?):
Du Zheng Zhe, Lu Hui Xin, Yang Hui Wen, and Li Song Lin (杜政哲、盧慧心、楊蕙文、李松霖) – The Way We Were (16個夏天) Lu Shi Yuan (呂蒔媛) – Long Day’s Journey Into Light (出境事務所)
Wu Fan / Wu Yu Qing, Deng Li Fen, Hei Mi / Tu Fang Xiang, and Chen Jia Zhen (吳繁/吳毓青、鄧莉芬、黑米/涂芳祥、陳嘉振) – iHero (C.S.I.C鑑識英雄)
Xu Yu Ting (徐譽庭) – Apple In Your Eye (妹妹)
Huang Zhi Xiang (黃志翔) – The New World (新世界)
Best Supporting Actor – Drama – Presented by Blue Lan and (?):
Zhu De Gang (朱德剛) – The New World (新世界)
Mark Lee (李天柱) – San Bao Wanted To Go Home (三寶要回家) (DaAi TV)
Zhang Shao Huai (張少懷) – Mr. Right Wanted (徵婚啟事) (GTV / TTV)
Melvin Sia (謝佳見) – The Way We Were (16個夏天) Soda Voyu (蘇達) – iHero (C.S.I.C鑑識英雄)
Best Supporting Actress – Drama – Presented by Blue Lan and (?):
Jean Lee (李依瑾) – The New World (新世界)
Lin Yu Xuan (林雨宣) – Long Day’s Journey Into Light (出境事務所)
Miao Ke Li (苗可麗) – Someone Like You (聽見幸福) (SETTV) Tiffany Hsu (許瑋甯) – The Way We Were (16個夏天)
Isa Hsieh (謝瓊煖) – Long Day’s Journey Into Light (出境事務所)
Best Leading Actress – Drama – Presented by Wilber Pan and Rainie Yang: Zhu Zhi Ying (朱芷瑩) – Brave Forward (新丁花開)
Ruby Lin (林心如) – The Way We Were (16個夏天)
Huang Pei Jia (黃姵嘉) – Long Day’s Journey Into Light (出境事務所)
Rabbit Yang (楊可涵) – The New World (新世界) (TTV)
Janel Tsai (蔡淑臻) – iHero (C.S.I.C鑑識英雄)
Best Director – Drama – Presented by Zhang Chen Guang and Tian Xin:
Li Zhi Qiang (李志薔) – Brave Forward (新丁花開)
Chen Rong Hui (陳戎暉) – Apple In Your Eye (妹妹) Xu Fu Xiang (許富翔) – The Way We Were (16個夏天)
Xu Zhao Ren (許肇任) – Long Day’s Journey Into Light (出境事務所)
Lai Meng Jie and Zhang Xiu Cheng (賴孟傑、張修誠) – iHero (C.S.I.C鑑識英雄)
Best Leading Actor – Drama – Presented by Vic Chou, Ariel Lin, and Chen Bo Lin:
Chris Wu (吳慷仁) – Long Day’s Journey Into Light (出境事務所)
Kurt Chou (周孝安) – iHero (C.S.I.C鑑識英雄)
Leroy Yang (楊一展) – The Way We Were (16個夏天) Blue Lan (藍正龍) – Apple In Your Eye (妹妹)
Lan Wei Hua (藍葦華) – Brave Forward (新丁花開)
Best Dramas – Presented by Bu Xue Liang, Harlem Yu, Zhang Xiao Yan, and Huang Zi Jiao: The Way We Were (16個夏天) (TVBS)
iHero (C.S.I.C鑑識英雄) (CTV)
Apple In Your Eye (妹妹) (GTV)
Long Day’s Journey Into Light (出境事務所) (Hakka TV)
Brave Forward (新丁花開) (Hakka TV)
*All information were translated and verified by DTLCT.
One of Zhang Chen Guang’s award-winning moment was probably during this scene when he continuously banged on the door of the De (德) resident, trying to get them to open the door. Yet no matter how hard he pounded on the door and how many times he called out, no one answered. (Though it was somewhat unrealistic that none of the servants from the resident came out with the usual long sticks to beat the world out of him for disturbing their house.)
The reason for the whole rupture started several minutes back at home. Tie Dan (铁蛋 – Zhang’s character in the series) woke up after a drunken night and bumped into his mother when still trying to piece together what really happened the previous night. As he attempted to explain himself to her, he was told Xiao Chai (小钗) was gone. Just by those few words and he thought he’d done something irreversible hence wanting to go search for Xiao Chai and explain. He had misunderstood his mother’s words and she soon clarified herself.
When the truth version came out that Xiao Chai was actually getting married to the old man from the De resident and that the previous night’s meeting was just a little scheme to get him drunk and unconscious long enough so he wouldn’t wake up in time to cause trouble (but it was mostly done out of concern, not some major evil, deceptive plot), the whole world seemed to be crashing down on him and whatever was left of his reasonable side had abandoned him. The only thing he wanted to do at that point was stopping the whole incident from occurring, not knowing it was too late.
After pushing his mother (supposedly his adopted mother but that was another story) and one of the servants out of the way, he fled out the door and ran like the wind.
He was too late. The wedding carriage was very well on its way to the De’s resident. Just a few more steps. But he didn’t give up, running with all his might until he reached the place. (The reason why he even arrived with barely some time to watch her enter the resident though she had supposedly left a long time ago was because of the time needed for preparations on her part and because the resident was just across town.) He was in time to see her getting out of the wedding carriage and stepping into the De resident.
Just as he stopped at the edge of the resident, she turned around and took one last look at the world outside before losing her freedom completely after entering that resident. It was hard to tell if she’d spotted him because of the angle, but it seemed like their official goodbye before the door swung shut with a dramatic bang. That was when Tie Dan raced forward and pounded on the door, demanding that they open the door and return his beloved Xiao Chai to him.
All the while the emotional sequences were taking place, the song “Heartache” (心痛) by Dave Wang played in the background, completing the unsaid words of their story.
Okay, I wasn’t even going to participate in this ridiculous, beyond childish “game” this year. Yet I had to after reading some things. I refrained from wanting to even blog or care about it after reading some news (which was my first mistake in a long time now because I had cut myself off with anything that’s related to the stretch of the media and anti-fans) last night. But I could no longer hold out after reading an exchange between Will and Mark:
YES, it got to Will. In this day and age and leave it up to the media to add in more oil to the blazing fire, OF COURSE, IT GOT TO HIM. Thank you for those who were making things even worse. I hope you all are happy now! (YES, that was sarcasm.) Now that I got that part out of the way, I will attempt to tear everything apart one by one and beat the already “dead horse” to death again (IF POSSIBLE). These points were influenced by a collection of various discussions around the net BUT might not cover everything because I stopped reading for the sake of keeping whatever of sanity is left in me. Luckily, Will didn’t get beat down yet and will continue to strive forward.
First and foremost, who should have won? Everyone loves this question, right? Since most people (or what seems like it) have been yelling out injustice since the result was announced. Biased or unbiased, I think Will deserved every ounce of the award–regardless if the other nominees are veterans or not. Well, it’s easy for me to say because I’m some obsessed fangirl, right? WRONG, I thought James Wen would win this year–finally. Does that mean I have no faith in Will? NO, it was because Endless Love was too underrated AND the fact that the hype was built around The Fierce Wife and many others all along.
Picking on the new guy is just so fun. People are so against Will because he’s new. Technically, he isn’t new anymore in the industry, but at least he’s one of the new nominees and some people wouldn’t expect to show up on the list. It’s the same reason why Mark got bombarded to the point that it could be compared to a massacre two years ago. AND also the mockery that followed after Show got beat by Wu Cheng Di. I just want to say that when it comes to these things, it’s not a matter of who’s senior/junior but it should be based on that one performance only. That’s why they attached the title of the drama after reading out the nominees’ name, hence the next point.
Acting? The obvious reason for thinking his acting isn’t up to it. Those who think so based on Miss No Good and never watched Endless Love should not even have a say in it. After all, the award was based on his performance in Endless Love. Endless Love received some attention when it first aired–yet for all the wrong reasons (thanks to the media), but that was it. So it was hard for those who lost interest and never watched the rest of it to criticize Will’s acting. He had improved heaps since Miss No Good–if that was possible. Not to mention how with people’s first major lead role, they would end up all nervous. (AND because he and Rainie are really good friends outside, too familiar with one another that made him nervous and less natural in Miss No Good than in Endless Love.)
Fanbase and the personal support team. This is important because this is where everyone gets overly emotional because of course, they would be supporting their friends, favorites, etc. YET if they’re unwilling to step back and analyze the whole situation, it’s just group-bullying the winner in the end. Even more so, just because someone you support wins it means it’s fair? And if someone you don’t support wins, that means the whole thing is corrupted? More on that later.
Different interpretation of what ‘good acting’ is. YES, this is why sometimes we have a room full of people and they can’t seem to get along. We all have a different perception of what good acting is. SO the people on the panel are like that as well. Ever heard the phrase “9 people with 10 opinions”? (I’ll leave some other questions about doubt for later as well.)
Who handled the outcome better? Of course, it’s easy to be happy and all when you’re winning, right? YES, but Will had to deal with the combined pressure from the other nominees–and their supporters, the media, and the audience. This is one of those rare times when he rather not win. Being the winner is worse than being the loser this time around. But I must say that out of all the other nominees, Jin Shi Jie handled it pretty well, even congratulating Will based on this post. I’m not sure about Long Shao Hua since I haven’t heard much about him afterward–or the media focused less on him. NOT sure. Joseph Chang looked sad from some of the photos captured afterward–with Rainie comforting him–AND he has every right to be. Yet the most disappointing reaction must be from James Wen. He has every right–like the other nominees–to be upset yet calling injustice? Okay, here is the part where everyone would be arguing about there’s never a wrong way to react after losing since it’s hard to control one’s emotion and how it hurts to lose four times already. YET why didn’t he react so strongly before? (Okay, people are rolling their eyes and saying, “Maybe it’s because this is the fourth time.” How could I miss it when I wrote “four times” up there, right?) Lei Hong won in 2008–and no reaction just because he’s a veteran? Or was it because it was the second time (after some years) so no real effect yet (but just the whole flaunting around about “being honored with having the nomination”)? My turn to roll my eyes here. But if Eddie Peng had won over him that year, how would he feel? (Though if Eddie had won, I wouldn’t mind either because I felt his performance in Wayward Kenting was so convincing as some clueless guy. But for the record, I was rooting for Zhang Chen Guang also SO I wasn’t too happy with Lei Hong winning YET I got over it. YES, I said it that I didn’t agree with the winner BUT I wouldn’t go about bashing another for it. I just moved on.) Then come last year’s The Happy Times of That Year and he didn’t win either AND what was his reaction? Sorry that I have forgotten but most of the heat was on between the winner and Show Luo–or so it seemed. AND is this year an appropriate time to come out pondering if the audience could vote as well? (I get it the part about him being sad and disappointed that he doesn’t know where he went wrong. YET I didn’t like some of the attitude going on like he was sure he would win. No one wants to lose OR so others would be arguing right now, but he has let the whole hype get to him and building himself up too much hence not being able to accept the outcome–like some others who have taken it lightly. I’m sure it’s hard not to get pulled in because of how much The Fierce Wife Team has built itself up for getting awards, but he must understand that acting is not about awards only. Or was that his goal all along? And IF anyone wants to pull the veteran card out now, he has to understand how the industry is since he has been around for a while now.) Back to the whole questioning about the panel, he could question the panel all he wants but touching the audience? Nice move. This goes back to prove that everyone has a different opinion on how and what is good acting. YET what is he implying? (I’m sure the media could be twisting his word, but some of the reactions from him and the rest of The Fierce Wife Team are obvious already without the media adding in more.) Talking about TFW (The Fierce Wife) Team, Sonia sure disappointed me with her reaction as well. (YES, this is the part where people are saying about how it’s natural for her to not be able to control emotion because she just lost the leading actress award to Tian Xin previously–and that she was just supporting James–AND how she already apologized afterward via Facebook. YET Miss Sui was saying in this one article that she didn’t care about winning and seemed like she was taking it easy. She must have underestimated herself and reacted differently when the moment finally came and she couldn’t predict that YET it proved that the response was just a publicity stunt after all. And if what she said before had been taken out of context with her not caring about the award and she had clarified about that–aka she does care, then I’m sorry. But that was kind of not so graceful with her reaction–regardless of how much damage control was done afterward. It had allowed for the TFW fanbase to bash others since it was okay their idols were against a certain victory as well. Yeah, here comes the whole “idols couldn’t control their emotions” again, BUT they’re NOT new. People want to use the “veteran/senior card” to their advantage? I will use it too if you want to play that way.)
SIDE-NOTE: I want to stop here and clarify that I really like both Sonia and James Wen. I liked Sonia since watching The Magicians of Love–even if people thought her performance wasn’t all that, but I saw the potential in her. (NOT to mention how I have included her as one of the key characters in The Dating Game series of my fanfiction–regardless of how lame and random the story-line tend to get.) James? I only watched him in bits and pieces in The Happy Times of That Year but really liked his chemistry with Sonia in there, and loved them as an on-screen couple since then. Not to mention how I think James could really act. Yet I’m just disappointed in their reaction of recent, that’s all. SO if anyone thinks it’s just my cheap attempt to defend Will by dunking both James and Sonia, that’s fine and I can’t stop you, but it’s not the truth. I will continue to support both and wish their time will come in the future. I also hope that they would both learn to handle situations better as well. (NOT to mention the whole ‘TFW Team’ also.)
Moving on…to the next point.
The results were fixed. This couldn’t be helped when an award ceremony comes around–or some sort of competition. I read somewhere that someone was mentioning about Angie Cai (the producer of Endless Love) was behind the whole thing with getting Will to win. Honestly? Someone also pointed out through the same post that: “Why couldn’t she do the same last year for Show and Hai Pai Tian Xin?” I must agree with that response. Don’t tell me because she learned better this year. Unless you can prove it, don’t even go there. It does happen in the industry at times and who knows what else behind those curtains YET unless you can prove it, it’s just a bunch of baseless assumptions. To make it even worse, someone else blurted out that Will was actually the one buying himself the award. Again, honestly? This, I could say is impossible without proof. Why? He focuses his career on music because that’s his passion, but does one drama per year (or so he had announced one time) because of fans who would want to see him in the dramas. He’s known to be one of the most extreme workaholics in the industry, never stopping even when he injured his leg performing that one time onstage. Would he resort to that method to win?
Why didn’t I defend Mark when everyone and their cousins were after him for winning two years ago? The obvious: I didn’t watch Black & White yet and could only read the news that was surrounding the matter. A lame answer to dodge out of the sticky situation, but it’s the truth. I wouldn’t want to be talking about a subject that I have no idea about because it would end up worthless when I need to back up my argument. Have you ever sit there and listen to some friends talk about a certain popular movie recently shown in the theater and they talked it to death YET you have no idea what it’s about? But you ended up pretending you do AND they cornered you with a question regarding the plot or trap you with some questions about the cast (how did you think so and so did)? The sad outcome would be they made some stuff up to test you yet you didn’t even realize it until they told you in the end, making you look like an idiot because they knew all along you were bluffing (and just want to teach you a lesson). SO, yes I didn’t want to be that idiot. Though I never agree with people targeting others, even resorting to name-calling, etc. SO now that I already watched Black & White, how about not dodging the question anymore? Did Mark deserve the win? Honestly, I think he did. I pondered about it a lot when I was watching Black & White–and if I had to go raw without any real first-hand information, I would be too blinded and biased to answer that question. But I was glad to hold my judgment while I was watching. It seemed like a slow start with Mark’s character–though there was some excitement with the cases and the chase scenes at various points. Yet there were more actions than scenes where it allowed Mark to show off his ability to express his emotions. But somewhere near the ending when the plot focused on revealing more of Ying Xiong’s identity and the trap he fell into, Mark got more chances to prove his talent. It was indeed fascinating to watch. It wasn’t Mark’s fault that there were less emotional scenes for him. It was the way the plot was built. It was just that Pi Zi had a harsh life and the ups and downs of the stuff he went through were ten times worse hence allowing Vic more chances to prove his abilities. I’m not saying that Vic doesn’t deserve it SO don’t put words into my mouth. But I’m saying that other elements must be considered before jumping to a conclusion about who deserves it more than whom. I think either one of the guys winning would already be a victory for the drama itself.
Who got it worse–Mark or Will? YES, I had to address it too. During the commotion and the announcement of the result, Mark must have gotten it worse. Though both were equally shocked and emotional to pay attention to other sideshows. Yet I think Mark got it worse after the acceptance/appreciative speech and the after-party. Just because he was right there witnessing everything. People must be whispering and some doubts are out there–thanks to the media’s interpretation as well. Mark saw it all and had to endure the whole night. Will was in China performing and was watching it on TV. Just to get some things cleared out of the way before people assume otherwise, Will had agreed to perform in China first and did not want to cancel the show just because of the award show. Some people had interpreted that he didn’t show up because he knew he wouldn’t win (possibly thanks to the media again). That might be true to some extent, BUT I think it wouldn’t be a stretch to say that he didn’t want to disappoint the people who were coming to see his performance with the show in China (since he had been known to be quite considerate and always work his best with preparations for the shows). If he didn’t care, he wouldn’t even watch, right? Of course, he was beyond surprised that he won and even went into extremely shocked mode after learning that he won. (It could be seen in this clip that he included after thanking the cast and crew of Endless Love because he said the award did not belong to him only, but to them also.) To get back to the point in bold again, I think it’s about the same after the show was over and the media begin weaving stories–and the audience’s reaction. And I don’t think there would be anyone who could comfort Will better than Mark since Mark really, truly understand EXACTLY what Will is going through (like both had said in that message above).
So after all those rants from me, who should be blamed then? (YES, I know we must blame someone for our frustration, right? SO, of course, I got that part covered.) The most obvious answer: GBA panel aka the judges. It was them who determined the winner. Whatever it was said and done, it was up to them. They were the ones who people should be targeting–regardless of what you assumed happened behind the scenes. But it’s natural to blame the winners because we couldn’t change anything or have a say in the panel, right? NO! Come on now, could someone come up with a lamer reason to hate? To get back to the subject again, if the nominees don’t trust the panel OR care for the GBA, why didn’t they just file some report/statement stating that they DO NOT want to be involved in it altogether? Oh, we’re back to the whole “I thought I would win thing again.” Scroll up and it goes in circles. LOL!
To get way off-topic but still somewhat on topic, did anyone consider that some of the best dramas of the year didn’t even get mentioned? SO how could you rate the fairness of everything or feel the injustice of it all? I’m sure every one of the production team of all the dramas aired last year (and all of the years in the past, in the current, and in the future as well) did their best and put in a lot to work to create all of those dramas for us to see–regardless if we care for the genre or not, BUT they didn’t get mentioned. What I’m getting at is if you complain about those not winning, what about those who didn’t get nominated? The list goes on and on, not just the cast–or the usual upfront producer/director teams either. But the people who spent hours to put up the set and get the scenes ready for the shoot. Or say those people who spent hours after to clean up after the others are done with the scenes and already went home? Do they ever get mentioned? We know they exist, but the attention’s always on the forerunners. SO imagine how they feel when they are not mentioned at all. OR like some people thought they could carry on a show without the help of the so-called “little people.”
Am I trying to act all mighty and teach people stuff? NO, I’m just fed up with seeing so much negativity and what one human being would do to another just because of something they couldn’t change. You might think I’m making too big of a deal out of this because they’re entertainers. BUT does that mean entertainers DO NOT have feelings or deserve to pursue their dreams or follow their ambition? Every one of us has a dream or a goal we’re working toward. You might think one is silly or another. You might choose to be a doctor because you want to save lives, others could choose to become singers/song-writers/actors–or whatever you name it. But it doesn’t make one career/profession more superior than the other. We’re just all different from one another and the path we choose makes this world a place with variety.
This was a rant about the male side mostly since it has to do with Will and all. Yet I think it could apply for all of the categories that were mentioned in the award as well. Because honestly, it doesn’t make much of a difference. The bottom-line: Get over it.
I thought the ending was somewhat on the side of corny. I felt it did not need to tell us that Zi Ling still cared for Chu Lian so deeply since it complicated the matter even more. Though her action and the test told it all that she chose Yun Fan in the end, I felt it was leaning back on the side of ‘fake-sy’ all over again. I actually liked the idea of Yun Fan and Zi Ling being together but somehow I just hate the whole link with Chu Lian and all. It ruined their funny stories at times or their romantic scenes.
What I thought was the dumbest was them NOT seeing what was in front of them OR how they did not force Lu Ping to go through psychological help sooner. It was too obvious. BUT they had to drag it out (possibly selling more episodes/DVDs). Whatever. I was glad that Lu Ping was able to have a good life again. I especially liked how Jian Bo was there for her throughout and finally got to see the person he loved start over with her life.
Chu Pei and Yu Shan were so funny and cute as always. I especially liked their scenes–as I said many times before–than others. It was what drove me to finish the whole series in the first place.
What was typical and I’d seen of Qiong Yao stories was the whole ‘forgive’ factor. I felt that it was unnecessary or too much of a joke. IF they did not hurt Lu Ping, why would they need to seek for forgiveness in the end? It was like saying it was all right to hurt them (just because they were family) and then try to do damage control later, expecting them to forgive like that, etc (just because they were family and should forgive you). Yes, it sounds judging and wanting them to be perfect, BUT I thought it was like an unsaid rule with not touching your sister’s boyfriend. (Same goes with brothers-siblings situation.)
So here I declare, unless it has a strong storyline, I won’t even touch a Qiong Yao related one again. Even if it has my favorite actors/actresses in there.
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